“No, you’re not. You’re coming to the Club with me.” Fanshawe walked
over, pulled his friend to his feet. “Come on, you old ass,” he said
kindly. . . .
They went out.
“Poor devil,” said Peter, “he must have bolted straight here from
Mess. . . .”
“And Fanshawe followed him.”
Both men, though neither would have admitted the fact to the other, were
on edge.
“Fanshawe was right not to leave him alone,” went on Bromley. “You never
know what a chap will do when he gets into that sort of state. Thank
goodness, I’m a quiet old stick, I am.”
He shook his big frame; tugged at his moustache; sat down again. Peter
lit a cigar. But neither Peter’s smoke nor Bromley’s book could keep
Bareton out of their minds. He seemed to be still on the sofa, blazing
tears in blazing eyes.
“Let’s call up a taxi and go into Brighton,” said Peter suddenly. “I
can’t stick this room any more tonight.”
Bromley looked up from “The Newcomes”—“We’ll share it, then.”
“No, we won’t. My taxi and my dinner. Go and get your slacks on. I’ll
run out and telephone for the car.”
§ 4
The Hotel Metropole at Brighton is a monstrous edifice of red-brick and
iron balconies, which leers stolidly across an asphalt “Front” to the
sea. The stone steps of its entrance, occupied of a morning by fat
couples in wicker chairs, lead under a glass-roofed portico, through a
revolving door past the mahogany “Reception Offices” to a narrow
hall—fire-placed and crowded with comfortable Maplesque upholstery.
Beyond, are marble corridors, lifts, and a dark lounge which opens out
into a vast conservatory of glass-and-iron work, wherein the band plays
and love-birds (some caged, some in coats and skirts) twitter behind
dusty palm-trees.
In front of the fire-place in the hall, cocktail in hand, looking down
on his wife’s blond head, stood “Weasel” Stark of the Gunners.
His nickname fitted the dapper fresh-complexioned little soldier well.
He had reddish hair, inclined to curl: eyes of clear cold blue: flat
auburn moustache over firm lips. The tight long-skirted tunic, beltless
for dinner, fitted like a skin over the muscled shoulders, the in-curved
back: his slacks fell straightly creased to shining brown shoes. His
hands—clean capable hands—showed a hint of freckling, the suspicion of
auburn fluff. The domed forehead betrayed intelligence. A brand-new
D.S.O. ribbon completes the picture.
Alice Stark (once, as Alice Sewell, the object of Jack Baynet’s
none-too-stable affections) was a comfortable little person, brown-eyed,
a little rabbity about the mouth. Her low dress, blue and girlish,
revealed excellent shoulders, firm arms and slim hands.
The pair had been married six months: three of which the husband had
spent on active service. A wound in the foot, now almost healed, had
re-united them.
“Almost time for dinner, I think,” said the Colonel, putting his empty
glass on the mantelshelf behind him.
Public-domain text, read in full here on John Shaqi.
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