Phantom Fortune, a NovelBraddon, M. E. (Mary Elizabeth)
General
Phantom Fortune, a Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
There was no music that evening. Maulevrier and Mary were playing
billiards; Fräulein Müller was sitting in her corner working at a
high-art counterpane. Lesbia came in from the verandah presently, and
sat on a low stool by her grandmother's arm-chair, and talked to her in
soft, cooing accents, inaudible to John Hammond, who sat a little way
off turning the leaves of the _Contemporary Review_: and this went on
till eleven o'clock, the regular hour for retiring, when Mary came in
from the billiard-room, and told Mr. Hammond that Maulevrier was waiting
for a smoke and a talk. Then candles were lighted, and the ladies all
departed, leaving John Hammond and his friend with the house to
themselves.
They played a fifty game, and smoked and talked till the stroke of
midnight, by which time it seemed as if there were not another creature
awake in the house. Maulevrier put out the lamps in the billiard-room,
and then they went softly up the shadowy staircase, and parted in the
gallery, the Earl going one way, and his friend the other.
The house was large and roomy, spread over a good deal of ground, Lady
Maulevrier having insisted upon there being only two stories. The
servants' rooms were all in a side wing, corresponding with those older
buildings which had been given over to Steadman and his wife, and among
the villagers of Grasmere enjoyed the reputation of being haunted. A
wide panelled corridor extended from one end of the house to the other.
It was lighted from the roof, and served as a gallery for the display of
a small and choice collection of modern art, which her ladyship had
acquired during her long residence at Fellside. Here, too, in Sheraton
cabinets, were those treasures of old English china which Lady
Maulevrier had inherited from past generations.
Her ladyship's rooms were situated at the southern end of this corridor,
her bed-chamber being at the extreme end of the house, with windows
commanding two magnificent views, one across the lake and the village of
Grasmere to the green slopes of Fairfield, the other along the valley
towards Rydal Water. This and the adjoining boudoir were the prettiest
rooms in the house, and no one wondered that her ladyship should spend
so much of her life in the luxurious seclusion of her own apartments.
John Hammond went to his room, which was on the same side of the house
as her ladyship's; but he was in no disposition for sleep. He opened the
casement, and stood looking out upon the moonlit lake and the quiet
village, where one solitary light shone like a faint star in a cottage
window, amidst that little cluster of houses by the old church, once
known as Kirktown. Beyond the village rose gentle slopes, crowned with
foliage, and above those wooded crests appeared the grand outline of the
hills, surrounding and guarding Easedale's lovely valley, as the hills
surrounded Jerusalem of old.
Public-domain text, read in full here on John Shaqi.
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