Massinger, Philip, 1583-1640 -- Criticism and interpretation
It would take me too far from my purpose to discuss the authorship of _The
Two Noble Kinsmen_ in detail, interesting as the problem is, but as many
critics have assigned the “un-Fletcherian” parts of the play to Massinger,
I have, as in duty bound, read the play carefully several times. There is
very little trace of his style, or method, or metre. The only passage
which reads to me like Massinger is assigned by Boyle to Fletcher.(324)
Mr. Dugdale Sykes, in an acute article,(325) has produced some parallels
between Massinger and _The Two Noble Kinsmen_; but though one or two of
them are striking, they do not prove his case when they are looked at in
connexion with the context.
Take, for example:
3RD QUEEN. He that will all the treasure know o’ th’ earth
Must know the centre too.(326)
Mr. Sykes compares these lines in _The Parliament of Love_:
CLEREMOND. And I should gild my misery with false comforts,
If I compared it with an Indian slave’s,
That with incessant labour to search out
Some unknown mine, dives almost to the centre.(327)
On this passage I make two remarks: first, such similarity of thought as
is found here may be due to imitation or unconscious reminiscence of _The
Two Noble Kinsmen_. A man who constantly repeats himself is surely the
sort of person who would delight to borrow thoughts and phrases from other
writers, and to imitate whole scenes and incidents. Are we to suppose that
Massinger confined his studies to Shakspere?
Secondly, let us judge the passage as a whole; it runs thus:
He that will all the treasure know o’ th’ earth
Must know the centre too; he that will fish
For my least minnow, let him lead his line
To catch one at my heart.
Anything more unlike Massinger than this fishing for minnows cannot be
imagined.
Take again the parallel,(328) “which alone should be conclusive of
Massinger’s authorship”:
PIRITHOUS. Though I know
His ocean needs not my poor drops, yet they
Must yield their tribute there. My precious maid,
Those best affections, that the heavens infuse
In their best temper’d pieces, keep enthroned
In your dear heart.(329)
In _Believe as You List_ we have:
Though I know
The ocean of your apprehensions needs not
The rivulet of my poor cautions, yet,
Bold from my long experience, I presume, etc.(330)
Though the similarity of thought and expression in the first three lines
is manifest, the archaic simplicity of the first passage differs greatly
from the mature flow of the second.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account