In this way the infection of imitation catches men in their most inward and intellectual part--their creed. But it also invades men--by the most bodily part of the mind--so to speak--the link between soul and body--the manner. No one needs to have this explained; we all know how a kind of subtle influence makes us imitate or try to imitate the manner of those around us. To conform to the fashion of Rome--whatever the fashion may be, and whatever Rome we may for the time be at--is among the most obvious needs of human nature. But what is not so obvious, though as certain, is that the influence of the imitation goes deep as well as extends wide. 'The matter,' as Wordsworth says, 'of style very much comes out of the manner.' If you will endeavour to write an imitation of the thoughts of Swift in a copy of the style of Addison, you will find that not only is it hard to write Addison's style, from its intrinsic excellence, but also that the more you approach to it the more you lose the thought of Swift. The eager passion of the meaning beats upon the mild drapery of the words. So you could not express the plain thoughts of an Englishman in the grand manner of a Spaniard. Insensibly, and as by a sort of magic, the kind of manner which a man catches eats into him, and makes him in the end what at first he only seems. This is the principal mode in which the greatest minds of an age produce their effect. They set the tone which others take, and the fashion which others use. There is an odd idea that those who take what is called a 'scientific view' of history need rate lightly the influence of individual character. It would be as reasonable to say that those who take a scientific view of nature need think little of the influence of the sun. On the scientific view a great man is a great new cause (compounded or not out of other causes, for I do not here, or elsewhere in these papers, raise the question of free-will), but, anyhow, new in all its effects, and all its results. Great models for good and evil sometimes appear among men, who follow them either to improvement or degradation. I am, I know, very long and tedious in setting out this; but I want to bring home to others what every new observation of society brings more and more freshly to myself--that this unconscious imitation and encouragement of appreciated character, and this equally unconscious shrinking from and persecution of disliked character, is the main force which moulds and fashions men in society as we now see it. Soon I shall try to show that the more acknowledged causes, such as change of climate, alteration of political institutions, progress of science, act principally through this cause; that they change the object of imitation and the object of avoidance, and so work their effect. But first I must speak of the origin of nations--of nation-making as one may call it--the proper subject of this paper.