Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
The breast of Charney swelled with irrepressible emotion as he spoke.
Thought succeeded thought in his brain; feeling after feeling arose in
his heart—till, starting from his seat, he began to traverse the court
with hurried footsteps. At length, his agitation exhausted, he returned
towards his Picciola, gazed upon her with ineffable tenderness, raised
his eyes to heaven, and faintly articulated—“Oh! mighty and unseen GOD!
the clouds of learning have too much confused my understanding—the
sophistries of human reason too much hardened my heart, for thy divine
truths to penetrate at once into my understanding. In my unworthiness to
comprehend thy glorious revelations, I can yet only call upon thy name,
and humbly seek thy infinite but invisible protection.”
And with grave demeanour, Charney retraced his steps to his chamber;
where the first sentence that met his eyes, inscribed with his own hand
upon the wall, was—
“GOD is but a word!”
In another moment he had superadded to the inscription—“a word, which
serves perhaps to solve the great enigma of creation!”
“_Perhaps_”—the master word of doubts, still disfigured the phrase! But
it was something for the arrogant Charney to have arrived at _doubt_,
from the extreme of absolute _negation_. He was recoiling in the path
of falsehood he had so long pursued. He no longer pretended to rely
for support upon his own strength—his own faculties. He is willing now
to learn, eager to perpetuate the soft emotions by which his pride has
been subdued, and it is still to the insignificant Picciola he turns for
instruction—for a creed—a GOD—an immortality.
[Illustration]
[Illustration]
CHAPTER XII.
Thus passed the days of the prisoner; and after whole hours devoted to
inquiry and analysis, Charney loved to turn from the weariness of his
studies to the brightness of his illusions—from Picciola the blooming
plant, to Picciola the blooming girl. Whenever the awakening perfumes of
his flower ascended to his chamber, oppressing his senses, and creating
misty confusion before his eyes, he used to exclaim, “To-night Picciola
will hold her court; I must hasten to Picciola.”
Thus predisposed to reverie, his mind was promptly attuned into the sort
of doze in which, during the absence of reason, “mimic fancy wakes.” Oh!
were it not, indeed, a dearer enjoyment than any yet vouchsafed to human
nature, if man could so far acquire authority over his dreams, as to live
at will that secondary life where events succeed each other with such
rapidity; where centuries cost us but one breathing hour; where a magic
halo environs all the actors of the drama, and where nothing is read but
the emotions of our thrilling hearts? Would you have music? Harmonious
concerts might arise in spontaneous unison, unprefaced by discordant
tuning, the anxious looks of the musicians, or the ungraceful and quaint
forms of their instruments. Such is the world of dreams! Pleasure without
repentance; the rainbow without the storm!
Public-domain text, read in full here on John Shaqi.
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