Picciola : $b The prisoner of Fenestrella or, captivity captiveSaintine, X.-B. (Xavier-Boniface)
General
Picciola : $b The prisoner of Fenestrella or, captivity captive
Saintine, X.-B. (Xavier-Boniface)
Prisoners -- Fiction
“What would I give to press your hand!” cried he; and he stretched out
his arm with the utmost effort, in hopes to reach the grated window,
while Girardi extended _his_ between the bars. But it was all in vain. A
movement of mutual sympathy was the utmost that could pass between them.
When Charney took leave of Picciola, on his way to his chamber, he could
not refrain from whispering, “Courage! I shall save thee yet!” And,
having reached his miserable _camera_, he selected the whitest of his
remaining handkerchiefs, mended his tooth-pick with the greatest care,
made up a fresh supply of ink, and set to work. When his memorial was
completed, which was not without a thousand pangs of wounded pride, a
little cord descended from the grating of Girardi’s window, to which the
paper was attached by the Count, and carefully drawn up.
[Illustration]
An hour afterwards, the person who had undertaken to present the petition
to the Emperor was proceeding accompanied by a guide, through the valleys
of Suza, Bussolino, and St. George, along the bank of the river Doria.
Both were on horseback; but the greater their haste, the more perplexing
the obstacles by which their way was impeded. Recent rains had broken
away the bank; the river was, in many spots, overflowing; and more than
one raging torrent appeared to unite the Doria with the lake Avigliano.
Already the forges of Giaveno were reddening in the horizon, announcing
that the day was about to close, when, joyfully regaining the high road,
they entered, though not without having surmounted many difficulties, the
magnificent avenue of Rivoli, and late in the evening, arrived at Turin.
The first tidings by which they were saluted was an announcement that the
emperor-king had already proceeded to Alexandria.
[Illustration]
[Illustration]
BOOK II.
CHAPTER I.
At dawn of day, next morning, the city of Alexandria was arrayed in
all its attributes of festivity. An immense population circulated in
the streets, festooned with tapestry, garlands of flowers, and glossy
foliage. The crowd pressed chiefly from the Town Hall, inhabited by
Napoleon and Josephine, towards the triumphal arch, erected at the
extremity of the suburb through which they were to pass on their way to
the memorable plains of Marengo.
The whole way, from Alexandria to the Marengo, the same populace, the
same cries, the same braying of trumpets. Never had the pilgrimage to
the shrine of our Lady of Loretto, never had even the Holy Jubilee of
Rome, attracted such multitudes as were proceeding towards the field of
that tremendous battle, whose ashes were scarcely yet cold in the earth.
On the plain of Marengo, the Emperor has promised to preside over a
sham-fight—a mimic representation, given in honour of the signal victory
obtained five years before upon the spot, by the Consul Bonaparte.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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