with such vain creatures.
Boz, I believe, had none of these speculations positively before him, but
he was led by the logic of his story. He had to follow his characters
and their development; they did not follow him.
IV.--Grummer
This well drawn sketch of an ignorant, self-sufficient constable is
admirable. I have little doubt that one of the incidents in which he
figures was suggested to _Boz_ by a little adventure of Grimaldi's which
he found in the mass of papers submitted to him, and which he worked up
effectively. A stupid and malicious old constable, known as "Old Lucas,"
went to arrest the clown on an imaginary charge, as he was among his
friends at the theatre. As in the case of Grummer, the friends, like
Winkle and Snodgrass, threatened the constable. The magistrate heard the
case, sentenced Grimaldi to pay 5s. fine. Old Lucas, in his
disappointment, arrested him again. Being attacked by Grimaldi, as
Grummer was by Sam, he drew his staff and behaved outrageously. The
magistrate then, like Nupkins, had him placed in the dock, and sentenced.
It has also been stated that Grummer was drawn from Towshend--the
celebrated Bow Street Runner again introduced in "Oliver Twist." Towshend
was a privileged person, like Grummer, and gave his advice familiarly to
the magistrates.
CHAPTER XIV. CHARACTERISTICS
I.--The Wardle Family
Here is a very pleasing and natural group of persons, in whom it is
impossible not to take a deep interest. They are like some amiable
family that we have known. Old Wardle, as he is called, though he was
under fifty, was a widower, and had remained so, quite content with his
daughters' attachment. He had his worthy old mother to live with him, to
whom he was most dutiful, tolerant, and affectionate. These two points
recommend him. There was no better son than Boz himself, so he could
appreciate these things. The sketch is interesting as a picture of the
patriarchal system that obtained in the country districts, all the family
forming one household, as in France. For here we have Wardle, his
mother, and his sister, together with his two pleasing daughters, while,
later on, his sons-in-law established themselves close by. The "poor
relations" seem to have been always there. It is astonishing how Boz, in
his short career, could have observed and noticed these things. Wardle's
fondness for his daughters is really charming, and displayed without
affectation. He connected them with the image of his lost wife. There
is no more natural, truly affecting passage than his display of
fretfulness when he got some inkling that his second daughter was about
to make a rather improvident marriage with young Snodgrass. The first
had followed her inclinations in wedding Trundle--a not very good
match--but he did not lose her as the pair lived beside him. He thought
Emily, however, a pretty girl who ought to do better, and he had his eye
Public-domain text, read in full here on John Shaqi.
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