Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256Mallery, Garrick
History
Pictographs of the North American Indians. A preliminary paper: Fourth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1882-83, Government Printing Office, Washington, 1886, pages 3-256
Mallery, Garrick
Haida Indians; Picture-writing, Indian; Tattooing
The Indians of Guiana know nothing about the picture writing by
tradition. They scout the idea of their having been made by the
hand of man, and ascribe them to the handiwork of the Makunaima,
their great spirit. Nevertheless, they do not regard them with any
superstitious feelings, looking upon them merely as curiosities,
which is the more extraordinary as there are numbers of large rocks
without any markings on some rivers, which they will not even look at
in passing, lest some calamity should overtake them. Their Peaimen or
sorcerers always squeeze tobacco juice in their eyes on approaching
these, but pay no regard to the sculptured rocks. In the Pacaraima
mountains, between the villages of Mora and Itabay, the path passes
through a circle of square stones placed on one end, one of which
has a carving upon it; some of these blocks have been thrown down
and broken by the Indians, clearly proving their utter disregard for
them. If then there were any traditions regarding these writings
handed down from father to son, I conclude that the Indians of the
present day--the most superstitious of beings--would undoubtedly
treat them with awe and respect. Again, if their forefathers were
as indolent as they now are, they never would have gone to the
trouble of making these pictures merely for the purpose of passing
away their time, which they could have more easily accomplished by
lying in their hammocks from morning to night in a semi-dreamy sort
of state, as their descendants do at present. As these figures were
evidently cut with great care and at much labor by a former race of
men, I conclude that they were made for some great purpose, probably
a religious one, as some of the figures give indications of Phallic
worship.
PETROGLYPHS IN BRAZIL.
The following is an abstract from a paper by J. Whitfield on Rock
Inscriptions in Brazil, in the Journal of the Anthropological Institute
of Great Britain and Ireland, 1874, Vol. III, p. 114:
The rock inscriptions were visited in August, 1865, during an
exploring expedition for gold mines in the province of Ceará.
Several similar inscriptions are said to exist in the interior of
the province of Ceará, as well as in the provinces of Pernambuco and
Piauhy, especially in the _Sertaõs_, that is, in the thinly-wooded
parts of the interior, but no mention is ever made of their having
been seen near the coast.
In the margin and bed only of the river are the rocks inscribed. On
the margin they extend in some instances to fifteen or twenty yards.
Except in the rainy season the stream is dry. The rock is a silicious
schist of excessively hard and flinty texture. The marks have the
appearance of having been made with a blunt heavy tool, such as might
be made with an almost worn-out mason’s hammer.
Public-domain text, read in full here on John Shaqi.
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