Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822Mallery, Garrick
History
Picture-Writing of the American Indians: Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888-89, Government Printing Office, Washington, 1893, pages 3-822
Mallery, Garrick
Picture-writing, Indian
It is not probable that much valuable information will ever be obtained
from ancient rock carvings or paintings, but they are important as
indications of the grades of culture reached by their authors, and
of the subjects which interested those authors, as is shown in the
appropriate chapters following. Some portions of these pictures can
be interpreted. With regard to others, which are not yet interpreted
and perhaps never can be, it is nevertheless useful to gather together
for synoptic study and comparison a large number of their forms from
many parts of the world. The present collection shows the interesting
psychologic fact that primitive or at least very ancient man made the
same figures in widely separated regions, though it is not established
that the same figures had a common significance. Indications of priscan
habitat and migrations may sometimes be gained from the general style or
type of the drawings and sculptures, which may be divided into groups,
although the influence of the environing materials must always be
considered.
The more modern specimens of picture-writing displayed on skins, bark,
and pottery are far more readily interpreted than those on rocks, and
have already afforded information and verification as to points of
tribal history, religion, customs, and other ethnologic details.
A criticism has been made on the whole subject of picture-writing by the
eminent anthropologist, Dr. Andree, who, in Ethnographische Parallelen
und Vergleiche (_a_), has described and figured a large number of
examples of petroglyphs, a name given by him to rock-drawings and now
generally adopted. His views are translated as follows:
But if we take a connected view of the petroglyphs to which the
rock pictures, generally made with red paint, are equivalent, and
make a comparison of both, it becomes evident that they are usually
made for mere pastime and are the first artistic efforts of rude
nations. Nevertheless, we find in them the beginnings of writing,
and in some instances their transition to pictography as developed
among North American Indians becomes evident.
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