Picturesque Sketches of London, Past and PresentMiller, Thomas
Philosophy
Picturesque Sketches of London, Past and Present
Miller, Thomas
London (England) -- Description and travel
sovereign or two stuck inside or not; this done, he begins to shovel it
out, and pay away. He counts sovereigns by twos and threes at a time;
you feel confident that he must have given you either too many or too
few, he appears so negligent: you count, and there they are to one--he
never makes a mistake.
Go and pay in a sum of money, or take up a bill, with gold that looks
light, and you will see another of his sleight-of-hand tricks. He jerks
the one out of the scale without touching it, except with the sovereign
he puts in, with such rapidity that you cannot catch the action, cannot
see how it is done; the sovereign seems to fly in and out as if by
magic. You might try for months and never be able to catch that peculiar
jerk. You fancy that he must be weary of counting sovereigns; that a
good pile of dirty brown coppers would be a great relief to him, equal
at least to a change of diet. You wonder that his countenance is not
yellow through bending over such piles of coin, and that, like the
buttercups in the meadows steeped in sunshine, his face does not
"Give back gold for gold."
Sometimes these clerks are kept for hours beyond their usual time to
rectify an error of sixpence in the balance, when during the day
thousands of pounds have been entered. The mistake rests somewhere, and
must be discovered before they quit the banking-house; and column after
column is gone over again; that weary array of figures is summed up and
up, and compared and called over until the mistake is righted. They
would gladly pay the amount twenty times over to get away; but that
would be the ruin of a system the very stability of which rests upon its
being correct to the "uttermost farthing."
The following picture of an old-fashioned banker we select from a recent
work on _Banks and Bankers_: "He bore little resemblance to his modern
successor: he was a man of serious manners, plain apparel, the steadiest
conduct, and a rigid observer of formalities. As you looked in his face,
you could read, in intelligible characters, that the ruling maxim of his
life, the one to which he turned all his thoughts, and by which he
shaped all his actions, was, that he who would be trusted with the money
of other men, should look as if he deserved the trust, and be an
ostensible pattern to society of probity, exactness, frugality, and
decorum. He lived the greater part of the year at his banking-house, was
punctual to the hours of business, and always to be found at his desk."
Public-domain text, read in full here on John Shaqi.
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