The persevering Breton was determined to be thoroughly educated for his
trade, and he set about acquiring all the knowledge that he lacked. As
long as only the principles of his work were concerned he could learn
those in Provins as well as in Paris, and thus remain near Pierrette,
to whom he now became anxious to explain his projects and the sort of
protection she could rely on from him. He was determined to know the
reason of her pallor, and of the debility which was beginning to appear
in the organ which is always the last to show the signs of failing life,
namely the eyes; he would know, too, the cause of the sufferings which
gave her that look as though death were near and she might drop at any
moment beneath its scythe. The two signs, the two gestures--not denying
their friendship but imploring caution--alarmed the young Breton.
Evidently Pierrette wished him to wait and not attempt to see her;
otherwise there was danger, there was peril for her. As she left the
church she was able to give him one look, and Brigaut saw that her eyes
were full of tears. But he could have sooner squared the circle
than have guessed what had happened in the Rogrons’ house during the
fortnight which had elapsed since his arrival.
It was not without keen apprehension that Pierrette came downstairs on
the morning after Brigaut had invaded her morning dreams like another
dream. She was certain that her cousin Sylvie must have heard the song,
or she would not have risen and opened her window; but Pierrette was
ignorant of the powerful reasons that made the old maid so alert. For
the last eight days, strange events and bitter feelings agitated the
minds of the chief personages who frequented the Rogron salon. These
hidden matters, carefully concealed by all concerned, were destined to
fall in their results like an avalanche on Pierrette. Such mysterious
things, which we ought perhaps to call the putrescence of the human
heart, lie at the base of the greatest revolutions, political, social or
domestic; but in telling of them it is desirable to explain that their
subtle significance cannot be given in a matter-of-fact narrative. These
secret schemes and calculations do not show themselves as brutally and
undisguisedly while taking place as they must when the history of them
is related. To set down in writing the circumlocutions, oratorical
precautions, protracted conversations, and honeyed words glossed over
the venom of intentions, would make as long a book as that magnificent
poem called “Clarissa Harlowe.”
Public-domain text, read in full here on John Shaqi.
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