Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant KingdomFolkard, Richard
History
Plant Lore, Legends, and Lyrics: Embracing the Myths, Traditions, Superstitions, and Folk-Lore of the Plant Kingdom
Folkard, Richard
Plants -- Folklore
At Indian nuptials, the wedding wreath, the _varamâlâ_, united bride
and bridegroom. At the marriage feasts of the Persians, a little tree
is introduced, the branches of which are laden with fruit: the guests
endeavour to pluck these without the bridegroom perceiving them; if
successful, the latter has to make them a present; if, however, a guest
fails, he has to give the bridegroom a hundred times the value of the
object he sought to remove from the tree.
In Germany, among the inhabitants of Oldenburg, there exists a curious
wedding custom. When the bridegroom quits his father’s roof to settle
in some other town or village, he has his bed linen embroidered at
the corners with flowers surmounted by a tree, on whose branches are
perched cock birds: on each side of the tree are embroidered the
bridegroom’s initials. In many European countries it is customary to
plant before the house of a newly-married couple, one or two trees, as
a symbol of the good luck wished them by their friends.
Floral Games and Festivals.
Floral games have for many years been held at Toulouse, Barcelona,
Tortosi, and other places; but the former are the most famed, both on
account of their antiquity and the value of the prizes distributed
during the _fêtes_. The ancient city of Toulouse had formerly a great
reputation for literature, which had, however, been allowed to decline
until the visit of Charles IV. and his bride determined the capitouls
or chief magistrates to make an effort to restore its prestige as the
centre of Provençal song. Troubadours there were who, banded together
in a society, met in the garden of the Augustine monks to recite their
songs, _sirventes_, and ballads; and in order to foster the latent
taste for poetry, the capitouls invited the poets of the Langue d’oc,
to compete for a golden Violet to be awarded to the author of the best
poem produced on May 4th, 1324. The competition created the greatest
excitement, and great numbers of people met to hear the judges’
decision: they awarded the golden Violet to Arnaud Vidal for his poem
in honour of the Virgin. In 1355, three prizes were offered--a golden
Violet for the best song; an Eglantine (Spanish Jasmine), for the best
_sirvente_, or finest pastoral; and a _Flor-de-gang_ (yellow Acacia)
for the best ballad. In later years four prizes were competed for,
viz., an Amaranth, a Violet, a Pansy, and a Lily. In 1540, Clemence
Isaure, a poetess, bequeathed the bulk of her fortune to the civic
authorities to be expended in prizes for poetic merits, and in _fêtes_
to be held on the 1st and 3rd of May. She was interred in the church
of La Daurade, on the high altar of which are preserved the golden
flowers presented to the successful competitors at the Floral Games.
The ceremonies of the _fêtes_ thus revived by Clemence Isaure commenced
with the strewing of her tomb with Roses, followed by mass, a sermon,
and alms-giving. In 1694, the _Jeux Floraux_ were merged into the
Public-domain text, read in full here on John Shaqi.
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