Playing with Fire: A Story of the Soudan WarGrant, James
General
Playing with Fire: A Story of the Soudan War
Grant, James
Sudan -- Fiction
Apparitions generally 'come in their habits as they lived,' says the
authoress of the 'Night side of Nature,' 'and appear so much like the
living person in the flesh that when they are not known to be dead,
they are frequently mistaken for them. There are exceptions to this
rule, but it is very rare that the forms in themselves exhibit
anything to create alarm.'
So did the girl's lover appear to her as if alive.
With a power of reason beyond her years and time, she tried to
think--could it be a dream of her excited brain? But no, she was
awake with all her senses; she thought of the blood on his dress, and
the awful knowledge came to her, that she had looked upon the face of
the dead--on the wraith of her lover--who, a month after she learned,
had perished at that very hour and time, shot by the Spaniards on the
fatal field of Almanza.
'The divine arts of priming and gunpowder have frightened away Robin
Goodfellow and the Fairies,' wrote Sir John Aubery of old; but the
ghost of the Weird Yett lingered long in the unused avenue of
Earlshaugh.
When he did recall the terror of his boyhood, Roland smiled; but
kindly, for every feature round him spoke of _home_. Seen through
the tree-stems was the old thatched hamlet of Earlshaugh, on the side
of a burn crossed by one huge stone as a bridge--the hamlet where the
clatter of the weaver's loom still lingered even in these days of
steam appliances, and on the humble doors of which the old Scottish
risp or tirling-pin was to be seen as elsewhere in the East Neuk; and
as he looked at the gray fallen monolith by which the stream was
crossed, he thought of the old song which seemed to describe it:
'Yet it had a bluirdly look,
Some score o' years ago,
An' the wee burn seemed a river then,
As it roared doon below;
And a bauld bairn was he,
In the merry days lang gane,
Wha waded through the burn,
Aneath the auld brig-stane.'
And, as if to complete the picture, an old woman, wearing one of
those white mutches, with the modest black band of widowhood,
introduced by Mary of Guelders, sat on a 'divot-seat' knitting at the
sunny end of her little thatched cottage.
A love of his birthplace and a pride in his historic race were the
strongest features in the character of Roland Lindsay, and Earlshaugh
was certainly such a home as any man might be pardoned for regarding
with something of enthusiasm.
Public-domain text, read in full here on John Shaqi.
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