[_Disappears from window. A moment later comes running out, one braid
of hair up and one braid down. Again looks wildly up in the air._]
Where is it?
IAN
[_Absorbed in the sun-dial._] Where’s what?
ELOISE
The airplane.
IAN
Airplane? It’s the sun-dial. It’s right. Just look at this six o’clock
shadow. [_She goes around to the other side of it._] It’s absolutely,
mathematically--you’re in the way of the sun, Eloise. [_She steps
aside._] Look! the style is set square on the true north--this is the
fifteenth of June--the clock is checked to the second by telegraph with
the observatory at Washington and see! the clock is exactly nineteen
minutes and twenty seconds behind the shadow--the precise difference
between Provincetown local time and standard Eastern time.
ELOISE
Then the sun-dial’s really finished--and working right! After all
these, weeks! Oh, Ian!
[_Embraces him._
IAN
It’s good to get it right after all those mistakes. [_With vision._]
Why, Eloise, getting this right has been a symbol of man’s whole search
for truth--the discovery and correction of error--the mind compelled to
conform step by step to astronomical fact--to truth.
ELOISE
[_Going to it again._] And to think that it’s the sun-dial which is
true and the clock--all the clocks--are wrong! I’m glad it is true.
Alice Knight has been here talking to me for an hour. I want to think
that something’s true.
IAN
That’s just it, Eloise. The sun-dial is more than sun-dial. It’s a
first-hand relation with truth. A personal relation. When you take
your time from a clock you are mechanically getting information from a
machine. You’re nothing but a clock yourself.
ELOISE
Like Alice Knight.
IAN
But the sun-dial--this shadow is an original document--a scholar’s
source.
ELOISE
To tell time by the shadow of the sun--so large and simple.
IAN
I wouldn’t call it simple. Here on this diagram I have worked out--
ELOISE
Dearest, you know I can’t understand diagrams. But I get the feeling of
it, Ian--the sun, the North star. I love to think that this [_Placing
her hands on the style_] is set by the North star. [_Her right hand
remains on the style, her left prolongs its line heavenward._] Why, if
I could go on long enough I’d get _to_ the North star!
IAN
[_Impressively._] The line that passes along the edge of this style
joins the two poles of the heavens. [_ELOISE pulls away her hand as one
who fears an electric shock._] Look at this slow shadow and what you
see is the spin of the earth on its axis. It is not so much the measure
of time as time itself made visible.
ELOISE
[_Knitting her brows to get this: escaping to an impetuous
generality._] Ian, which do you think is the more wonderful--space _or_
time?
IAN
[_Again sighting over his east and west lines. Good-humoredly._] Both
are a little large for our approbation.
ELOISE
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive