XXI. When the Romans recalled Marcellus, to conduct the war in their own country, he removed most of the beautiful ornaments of the city of Syracuse, to be admired at his triumphal procession, and to adorn Rome. For at that time Rome neither possessed nor knew of any works of art, nor had she any delicacy of taste in such matters. Filled with the blood-stained arms and spoils of barbarians, and crowded with trophies of war and memorials of triumphs, she was no pleasant or delightful spectacle, fit to feed the eyes of unwarlike and luxurious spectators, but, as Epameinondas called the plain of Bœotia "the Stage of Ares," and Xenophon called Ephesus "the Workshop of War," so, in my opinion, you might call Rome at that time, in the words of Pindar, "the Domain of Ares, who revels in war." Wherefore Marcellus gained the greater credit with the vulgar, because he enriched the city with statues possessing the Hellenic grace and truth to nature, while Fabius Maximus was more esteemed by the elders. He neither touched nor removed anything of the kind from the city of Tarentum, which he took, but carried off all the money and other property, and let the statues remain, quoting the proverb: "Let us," said he, "leave the Tarentines their angry gods." They blamed Marcellus's proceedings as being invidious for Rome, because he had led not only men, but also gods as captives in his triumph, and also because the people, who before this were accustomed either to fight or to till the ground, and were ignorant of luxury and indolent pleasures, like the Herakles of Euripides, "Unpolished, rough, but skilled in useful arts," were made by Marcellus into idle, babbling connoisseurs of the fine arts, and wasted the greater part of the day in talk about them. He, however, prided himself upon this even before Greeks, saying that he had taught the ignorant Romans to prize and admire the glories of Greek art.