Greece -- Biography -- Early works to 1800; Rome -- Biography -- Early works to 1800
mother so carefully that they became, beyond dispute, the most
accomplished of all the Roman youth, which they owed, perhaps, more to
their excellent education than even to their natural good qualities.
II. Now as the figures of the Dioscuri,[27] whether sculptured or
painted, though resembling one another, still present such an amount of
difference as appears when we contrast a boxer with a runner, so in
these two youths, with all their resemblance in courage, temperance,
generous temper, eloquence, and magnanimity, yet great contrasts also in
their actions and polity blossomed forth, so to speak, and displayed
themselves, which I think it well to set forth. First in the character
and expression of his countenance, and in his movements, Tiberius was
mild and sedate; Caius was animated and impetuous. When Tiberius
harangued the people, he would stand composedly on one spot; but Caius
was the first Roman who moved about on the rostra[28] and pulled his
toga from his shoulder while he was speaking, as Kleon[29] the Athenian
is said to have been the first popular orator at Athens who threw his
cloak from him and struck his thigh. The manner of Caius was
awe-striking and vehemently impassioned; the manner of Tiberius was more
pleasing and calculated to stir the sympathies: the language of Tiberius
was pure and elaborated to great nicety; that of Caius was persuasive
and exuberant. In like manner, in his mode of life and his table,
Tiberius was frugal and simple; compared with others, Caius was moderate
and austere, but, contrasted with his brother, luxurious and curious, as
we see by Drusus charging him with buying silver dolphins[30] at the
price of twelve hundred and fifty drachmæ for every pound that they
weighed. The differences in their character corresponded to their
respective styles of speaking: Tiberius was moderate and mild; Caius was
rough and impetuous, and it often happened that in his harangues he was
carried away by passion, contrary to his judgment, and his voice became
shrill, and he fell to abuse, and grew confused in his discourse. To
remedy this fault, he employed Licinius, a well-educated slave, who used
to stand behind him when he was speaking, with a musical instrument,[31]
such as is used as an accompaniment to singing, and whenever he
observed that the voice of Caius was becoming harsh and broken through
passion, he would produce a soft note, upon which Caius would
immediately moderate his vehemence and his voice, and become calm.
Public-domain text, read in full here on John Shaqi.
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