Another is supposed to be the 'Ad Mariam', printed in the 'Stonyhurst Magazine', Feb. '94. This is in five stanzas of eight lines, in direct and competent imitation of Swinburne: no autograph has been found; and, unless Fr. Hopkins's views of poetic form had been provisionally deranged or suspended, the verses can hardly be attributed to him without some impeachment of his sincerity; and that being altogether above suspicion, I would not yield to the rather strong presumption which their technical skill supplies in favour of his authorship. It is true that the 'Rosa mystica' is somewhat in the same light lilting man- ner; but that was probably common to most of these festal verses, and 'Rosa mystica' is not open to the positive objections of verbal criticism which would reject the 'Ad Mariam'. He never sent me any copy of either of these pieces, as he did of his severer Marian poems (Nos. 18 and 37), nor mentioned them as productions of his serious Muse. I do not find that in either class of these attempts he met with any appreciation at the time; it was after the publication of Miles's book in 1894 that his co-religionists began to recognize his possible merits, and their enthusiasm has not perhaps been always wise. It is natural that they should, as some of them openly state they do, prefer the poems that I am rejecting to those which I print; but this edition was undertaken in response to a demand that, both in England and America, has gradually grown up from the genuinely poetic interest felt in the poems which I have gradually introduced to the public:--that interest has been no doubt welcomed and accompanied by the applause of his particular religious associates, but since their purpose is alien to mine I regret that I am unable to indulge it; nor can I put aside the overruling objection that G. M. H. would not have wished these 'little presentation pieces' to be set among his more serious artistic work. I do not think that they would please any one who is likely to be pleased with this book. 1. ST. DOROTHEA. Written when an exhibitioner at Balliol College. Contemporary autograph in A, and another almost identical in H, both undated. Text from A. This poem was afterwards expanded, shedding its relative pro- nouns, to 48 lines divided among three speakers, 'an Angel, the protonotary Theophilus, (and) a Catechumen': the grace and charm of original lost:--there is an auto- graph in A and other copies exist. This was the first of the poems that I saw, and G. M. H. wrote it out for me (in 1866?). 2. HEAVEN HAVEN. Contemporary autograph, on same page with last, in H. Text is from a slightly later autograph undated in A. The different copies vary. 3. HABIT OF PERFECTION. Two autographs in A; the earlier dated Jan. 18, 19, 1866. The second, which is a good deal altered, is apparently of same date as text of No. 2. Text follows this later version. Published in Miles.