Poet-Lore: A Quarterly Magazine of Letters. April, May, June, 1900Various
General
Poet-Lore: A Quarterly Magazine of Letters. April, May, June, 1900
Various
Literature -- Periodicals; Poetry -- Periodicals
_King_. Stay! Let not a poisoned word pollute this moment, for now at
last the riddling clouds of fate prepare to fall. I may slip the
fetters from my body, which weakness, shame, unwilling gratitude,
sorrow, and mistaken kindnesses, combined to weave about me. I dare to
speak, for now the sword has freed me.... For that I have shrunk from
thee, my wife, forgive me. Didst thou know how shudderingly I sent
myself into an exile of inexpiable guilt! From thence I now return,
love-empty; and still the harmony of thy grace, the breath of thy
self-forgetful love, wafts like a summer breeze about my head, heavy
with blessings. Yes, if I dared to stay, how much of all I have ...
Hush!... I know not the path that I must choose. I only know the end. I
only know that faint and far away there sounds a voice reproaching my
delay. It calls me back into the eternal gray,--that boundless country
where thy blessing ends, where no guiding star rises to lead me on.
Farewell. Forgive me if thou canst. If not ... I know no word to say
that can lift the load of guilt from off my soul.... I must endure and
bear it with me silently.
_Queen_. Nay, my friend.... If thou hast laden thy life with guilt so
heavily, then must thou give me of thy burden a share to bear. I think
that all we leave unspoken to-day will burn our souls forever; and
therefore I make free confession: I have failed thee sorely. I saw thy
misery, I saw the torture growing on thy pale brow, and yet I had but
one thought; one alone; how to beguile him from that path on which his
soul delays and hesitates, but whither his stumbling feet turn of
themselves,--that he might leave me never again, whether in love or
hate ... this was my thought ... and as a bridal pair stand at the
altar and exchange their rings, while the deep church-bells lull them
into a smiling dream, so we in parting near each other, and offer,
smiling, guilt for guilt. [_She reaches out her hand to him with a
faint smile, and sinks back into the arms of her women._]
_King_ [_kissing her hand, overcome with feeling_]. I thank thee.
_The Young Prince_ [_timidly_]. Papa!
_King_ [_recovering himself_]. Thou too, my son! Come here! I made thee
poor return--and had he not [_motioning toward_ Hans] known me better
than I myself ... give him thy hand; for thanks to him, I lay down
undefiled this borrowed sword. [_Gives the sword over to the_
Chancellor.] Hans!
_Hans Lorbass_. Here, master! [_He hands the_ King _his old sword,
which he seizes eagerly._]
_King_. Farewell.
ACT V.
_The scene of the first act. Early spring. March. The trees and bushes
are still bare, but tipped with the delicate red of young leaf-buds. In
the background, upon the slopes, is still snow, in the foreground fresh
young grass. The church-yard has grown larger. The crosses and
headboards reach back to the sand-hills. Sun-set. A blue haze hangs
over the sea._
Scene I.
Public-domain text, read in full here on John Shaqi.
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