Poetic diction: A study of eighteenth century verse — John Shaqi
Poetic diction: A study of eighteenth century verseQuayle, Thomas
History
Poetic diction: A study of eighteenth century verse
Quayle, Thomas
English language -- Diction; English poetry -- 18th century -- History and criticism
Upborne
By frothy billows thousands float the stream
In cumbrous mail, with love of farther shore;
Confiding in their hands, that sed’lous strive
To cut th’ outrageous fluent.
In “Cyder” latinisms are still more abundant: _the nocent brood_ (of
snails), _treacle’s viscuous juice_, _with grain incentive stored_, _the
defecated liquour_, _irriguous sleep_, as well as passages like
Nor from the sable ground expect success
Nor from cretacious, stubborn or jejune,
or
Bards with volant touch
Traverse loquacious strings.
This kind of thing became extremely common and persisted throughout the
eighteenth century.
Incidentally, it may here be remarked that the publication of Philips’s
poems probably gave to Lady Winchilsea a hint for her poem “Fanscombe
Barn.”[98] Philips, as has been noted, was one of the very first to
attempt to use Milton’s lofty diction, and his latinized sentence
structure for commonplace and even trivial themes, and no doubt his
experiment, having attracted Lady Winchilsea’s attention, inspired her
own efforts at Miltonic parody, though it is probably “Cyder” and “The
Splendid Shilling,” rather then “Paradise Lost,” that she takes as her
model. Thus the carousings of the tramps forgathered in Fanscombe Barn
are described:
the swarthy bowl appears,
Replete with liquor, globulous to fight,
And threat’ning inundation o’er the brim;
and the whole poem shows traces of its second-hand inspiration.
Even those who are now remembered chiefly as Spenserian imitators indulge
freely in a latinized style when they take to blank verse. Thus William
Thompson, who in his poem “Sickness” has many phrases like “the arm
_ignipotent_,” “_inundant_ blaze” (Bk. I), “terrestrial stores medicinal”
(Bk. III), with numerous passages, of which the following is typical:
the poet’s mind
(Effluence essential of heat and light)
Now mounts a loftier wing when Fancy leads
The glittering track, and points him to the sky
Excursive.
(Bk. IV)
William Shenstone, the author of one of the most successful of the
Spenserian imitations, is more sparing in this respect, but even in his
case passages such as
Of words indeed profuse,
Of gold tenacious, their torpescent soul
Clenches their coin, and what electric fire
Shall solve the frosty grip, and bid it flow?
(“Economy,” Part I)
are not infrequent.
Public-domain text, read in full here on John Shaqi.
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