Poine: a study in ancient Greek blood-vengeance — John Shaqi
Poine: a study in ancient Greek blood-vengeanceTreston, Hubert Joseph
History
Poine: a study in ancient Greek blood-vengeance
Treston, Hubert Joseph
Criminal law (Greek law); Greece -- Civilization; Greek drama (Tragedy) -- History and criticism; Homicide (Greek law); Vendetta
On the Shield are depicted, amongst other things, two cities, one of
which is in a state of siege, the other in a condition of peace. It
is with the latter city that we are here concerned. In this city two
‘events’ are described: the first is a wedding, concerning which we need
only say that it is an event of common occurrence, which is not in the
least degree novel or abnormal; the second event[43] is a dispute about
the ransom of a slain man, which takes place in the ἀγορά of the city,
in the presence of the Elders, of the sacred heralds, and of a cheering
crowd of people. Leaf’s original translation (1883) (some of which he has
since abandoned, not, as we think, wisely) is as follows: ‘But the folk
were gathered in the assembly-place; for there a strife was arisen, two
men striving about the blood-price of a slain man: the one avowed that
he had paid all ... but the other denied that he had received aught,
manifesting it to the people: and each was fain to obtain consummation
on the word of his witness[44]: and the folk were cheering both, as they
took part on either side. And heralds kept order among the folk, while
the Elders on polished stones were sitting in the sacred circle and
holding in their hands staves from loud-voiced heralds. Then before the
people they rose up and gave judgment each in turn. And in the midst lay
two talents of gold to be given unto him who should plead among them most
righteously.’
This is the traditional view, which regards the scene as an investigation
by the Elders of the city as to whether a recognised wergeld has or has
not been paid. It is followed by Glotz, who proposes however some curious
explanations of details, which we shall presently discuss. It is the view
which we shall adopt when we have explained more precisely the exact
nature of the ‘court.’
There is however a second view, adopted by Leaf in 1887, 1892 and 1902,
first propounded by Müncher (1829), and supported by other scholars,[45]
which regards the scene as describing the first interference on the part
of some higher authority with the chaotic blood-feuds of savages.
Thirdly, there is the view of Lipsius that the trial was a genuine
murder-trial, and that the two talents of gold referred to by the poet
represented a genuine wergeld. This view is now generally rejected and
we shall see presently the objections which militate against it: but our
first duty is to formulate the arguments which will induce us to accept
the first and to reject the second hypothesis.
Public-domain text, read in full here on John Shaqi.
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