we cease to worship at such dark altars? When shall we recognize, with
Goethe, that “all talent is wasted if the subject be unsuitable”? When
shall we understand and believe that “the gladness of a spirit is an
index of its power”?
“To live,” says Amiel, “we must conquer incessantly, we must have the
courage to be happy.” Enjoyment, then, is not our common daily portion,
to be stupidly ignored or carelessly cast away. It is something we
must seek courageously and intelligently, distinguishing the pure
sources from which it flows, and rightly persuaded that art is true
and good only when it adds to our delight. For this were our poets
and dramatists, our painters and novelists, sent to us,--to make us
lawfully happier in a hard world, to help us smilingly through the
gloom. And can it be they think this mission beneath their august
consideration, unworthy of their mighty powers? Why, to have given
pleasure to one human being is a recollection that sweetens life; and
what should be the fervor and transport of him to whom it has been
granted to give pleasure to generations, to add materially to the
stored-up gladness of the earth! “Science pales,” says Mr. Dallas, “age
after age is forgotten, and age after age has to be freshened; but the
secret thinking of humanity, embalmed in art, survives, as nothing else
in life survives.” This is our inheritance from the past,--this secret
thinking of humanity, embalmed in imperishable beauty, and enduring for
our delight. The thinking of that idle vicar, Robert Herrick, when he
sang, on a fair May morning:--
“Come, let us go, while we are in our prime,
And take the harmless folly of the time!
We shall grow old apace, and die
Before we know our liberty.”
The thinking of Theocritus, who, lying drowsily on the hillside, saw
the sacred waters welling from the cool caverns, and heard the little
owl cry in the thorn brake, and the yellow bees murmur and hum in the
soft spicy air:--
“All breathed the scent of the opulent summer, of the season of fruit.
Pears and apples were rolling at our feet; the tender branches, laden
with wild plums, were bowed to earth; and the four-year-old pitch seal
was loosened from the mouth of the wine-jars.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account