Pomona's Travels: A Series of Letters to the Mistress of Rudder Grange from her Former HandmaidenStockton, Frank R.
General
Pomona's Travels: A Series of Letters to the Mistress of Rudder Grange from her Former Handmaiden
Stockton, Frank R.
Americans -- Great Britain -- Fiction; Epistolary fiction; Voyages and travels -- Fiction
Now Jone and me had some talk about growing and raising, and the
reasons for and against our way of using the words; but I was ready to
throw all this to the winds, and was just about to tell the impudent
young woman that we raised our plants just the same as we raised our
children, leaving them to do their own growing, when the young woman
in the middle of the three, who up to this time hadn't said a word,
screamed out:
[Illustration: "AND WITH A SCREECH I DASHED AT THOSE HOGS LIKE A STEAM
ENGINE"]
"Oh, dear! Oh, dear! He's pulled out my drawing of Wilton Bridge. He'll
eat it up. Oh, dear! Oh, dear! Whatever shall I do?"
Instead of speaking I turned quick and looked at the hogs, and there,
sure enough, one of them had rooted open a portfolio and had hold of
the corners of a colored picture, which, from where I sat, I could see
was perfectly beautiful. The sky and the trees and the water was just
like what we ourselves had seen a little while ago, and in about half a
minute that hog would chew it up and swallow it.
The young woman next to me had an umbrella in her hand. I made a snatch
at this and dropped off that gate like a shot. I didn't stop to think
about anything except that beautiful picture was on the point of being
swallowed up, and with a screech I dashed at those hogs like a steam
engine. When they saw me coming with my screech and the umbrella they
didn't stop a second, but with three great wiggles and three scared
grunts they bolted as fast as they could go. I picked up the picture of
the bridge, together with the portfolio, and took them to the young
woman who owned them. As the hogs had gone, all three of the women was
now getting down from the gate.
"Thank you very much," she said, "for saving my drawings. It was
awfully good of you, especially--"
"Oh, you are welcome," said I, cutting her off short; and, handing the
other young woman her umbrella, I passed by the impudent one without so
much as looking at her, and on the other side of the hedge I saw Jone
coming across the grass. I jerked open the gate, not caring who it
might swing against, and walked to meet Jone. When I was near enough I
called out to know what on earth had become of him that he had left me
there so long by myself, forgetting that I hadn't wanted him to come at
all; and he told me that he had had a hard time getting on shore,
because they found the banks very low and muddy, and when he had landed
he was on the wrong side of a hedge, and had to walk a good way around
it.
"I was troubled," said he, "because I thought you might come to grief
with the hogs."
"Hogs!" said I, so sarcastic, that Jone looked hard at me, but I didn't
tell him anything more till we was in the boat, and then I just said
right out what had happened. Jone couldn't help laughing.
"If I had known," said he, "that you was on top of a gate discussing
horses' tails and cabs I wouldn't have felt in such a hurry to get to
you."
Public-domain text, read in full here on John Shaqi.
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