Portland, Oregon, A.D. 1999, and other sketchesHayes, J. W. (Jeff W.)
Science
Portland, Oregon, A.D. 1999, and other sketches
Hayes, J. W. (Jeff W.)
American fiction -- 20th century; Portland (Or.) -- Fiction; Short stories, American
"This is all the proof that I want," said Burdick, and bidding goodbye
to the gruesome spectacle he beat a hasty retreat. The Boston people
were satisfied with Burdick's story, and the evidence that he produced,
and he received the reward.
The shifting, treacherous sands now completely cover the seven little
mounds, and all that is mortal of Aaron Burr Hilliker, telegraph
operator, philosopher, bohemian, gentleman.
Illustration: End of Chapter 28.
WHEN GOLD GREW ON SAGE BRUSH.
He is a great banker and broker now, and directs the finances of a
little world of his own, but as he looks out from his luxurious office
on Broadway on the ever-busy throng on the streets, he grows
reminiscent, and, suddenly scratching his nose, breaks out into a great
laugh.
"You noticed me just now scratching my nose, didn't you?" he said, and
he laughed again, "and you can't see anything to laugh about, but I
remember the time when it would have cost me my life if I had attempted
to do so. It is a strange story and well worth relating."
The speaker was J. Frank Howell, the noted Broadway financier and his
companion a member of the House of Morgan.
"It occurred in 1881, when I was out in Nevada, and working as a
telegraph operator at Beowawa, a little station on the Central Pacific
Railroad. I had acquired a complete knowledge of the Chinook language,
had become a fair student of Indian poker, could eat jack rabbits like
an Ogallala and considered myself quite a sport among the children of
the sage brush state.
"A few weeks of this kind of existence fitted me for great and more
promising fields of usefulness, and when the gold excitement broke out
at Yankee Blade, 125 miles down the line, I bade goodbye to Johnson
Sides, Nastyshack Jim and other of my playmates, and started on the
stage for Yankee Blade in company with three other adventurous spirits.
"I will never be able to explain how it happened, but it must have been
that the outlaw, Jim Slack, knew that I had drawn my month's salary and
that I was aboard the stage coach, for just as we were leaving Dogtown,
we were halted by a lone highwayman, who lost no time in ordering us to
throw up our hands, forming us into a line in the rear of the stage.
There we were, the four passengers and 'Stub,' the driver, all with arms
pointed skyward, while the merry Jim Slack rifled our pockets.
"The bandit cracked jokes with us, saying he was sorry he had to do it,
but he needed the 'mon,' and he hoped that he wouldn't overlook any
small change we might still have left in our jeans.
"At this moment my nose began to itch, but I knew it was sure death to
lower my hand to scratch it, and what was I to do, for I could hardly
stand it? I addressed the robber: 'I say, Mr. Highwayman, my nose itches
me pretty badly, won't you please allow me to lower my arm to scratch
it?'" I asked in a most plaintive manner.
Public-domain text, read in full here on John Shaqi.
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