"Now the point I want to make clear to you is that the man's mad. I'm
not a clever chap. I don't know any of your medical theories. I've never
had any leaning that way, but I take it that the moment that any one
crosses the division between sanity and insanity it means that they can
control their brain no longer, that they are dominated by some desire or
ambition or lust or terror that nothing can stop, no fear of the law, of
public shame, of losing social caste. Crispin is mad, and Hesther, whom
I love more than anything in this world and the next, is in his hands
completely and absolutely. They go abroad to-morrow morning where no one
can touch them.
"The time's been so short, and I've not been sufficiently clever to give
you any clear idea of the man himself. I've got practically no facts.
You can't say that his stroking an old woman's neck is a fact that
proves anything. All the same I believe you've seen enough yourself to
know that it isn't all imagination, and that the girl is in terrible
peril. My God, sir," the boy's voice was shaking, "before the war there
were all sorts of things that didn't seem possible, we knew that they
couldn't exist outside the books of the story-tellers. But the war's
changed all that. There's nothing too horrible, nothing too beastly,
nothing too bad to be true--yes, and nothing too fine, nothing too
sporting.
"And this thing is quite simple. There are those two madmen and my girl
in their hands, and only to-night to get her out of them.
"I must tell you something more," he went on more quietly. "I've been
making desperate attempts to see her, and at the same time to prevent
either of those devils from seeing _me._ I saw her twice, once in the
grounds of the White Tower, once on the beach below the house. Neither
time would she listen to me. I could see that she was miserable,
altogether changed, but all that she would say was that she was married
and that she must go through with what she had begun.
"She begged me to go away and leave Treliss. Her one fear seemed to be
lest Crispin should find out I was there and do something to me.
"Her terror of him was dreadful to witness--but she would tell me
nothing. I hung about the place and made a friend of a fisherman he had
up there working on the place--Jabez Marriot--you saw him on the hill
to-day.
"He's a fine fellow. He's only been working on the grounds, had nothing
to do with inside the house, but he didn't love the Crispins any better
than I did, and he had lost his heart to Hesther. She spoke to him once
or twice, and he would do anything for her. I sent letters to her
through him: she replied to me in the same way, but they were all to the
same effect, that I was to go away quickly lest Crispin should do
something to me, that she wasn't being badly treated and that there was
nothing to be done.
Public-domain text, read in full here on John Shaqi.
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