Portraits in Plaster, from the Collection of Laurence HuttonHutton, Laurence
History
Portraits in Plaster, from the Collection of Laurence Hutton
Hutton, Laurence
Masks (Sculpture); Portraits
Both Horace Smith and Cyrus Redding, early in the present century, saw
what they fully believed to be the head of Cromwell. It was then in the
possession of “a medical gentleman” in London. “The nostrils,” said
Redding, “were filled with a substance like cotton. The brain had been
extracted by dividing the scalp. The membranes within were perfect, but
dried up, and looked like parchment. The decapitation had evidently been
performed after death, as the state of the flesh over the vertebræ of
the neck plainly showed.”
A correspondent of the London _Times_, signing himself “Senex,” wrote to
that journal, under date December 31, 1874, a full history of this head,
in which he explained that at the end of five-and-twenty years it was
blown down one stormy night, and picked up by a sentry, whose family
sold it to one of the Cambridgeshire Russells, who were the nearest
living descendants of the Cromwells. By them it was sold, and it was
exhibited at several places in London. “Senex” gave the following
account of the recognition of the head by Flaxman, the sculptor: “Well,”
said Flaxman, “I know a great deal about the configuration of the head
of Oliver Cromwell. He had a low, broad forehead, large orbits to his
eyes, a high septum to the nose, and high cheekbones; but there is one
feature which will be with me a crucial test, and that is that instead
of having the lower jawbone somewhat curved, it was particularly short
and straight, but set out at an angle, which gave him a jowlish
appearance. The head,” continued “Senex,” “exactly answered to the
description, and Flaxman went away expressing himself as convinced and
delighted.” Another, and an earlier account, dated 1813, says that “the
countenance has been compared by Mr. Flaxman, the statuary, with a
plaster cast of Oliver’s face taken after his death [of which there are
several in London], and he [Flaxman] declares the features are perfectly
similar.”
Public-domain text, read in full here on John Shaqi.
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