Of course there are parts of the country which owed, and still owe, their beauty to their wildness--Dartmoor, Exmoor, the West Riding of Yorkshire, the Surrey hills, the Peak in Derbyshire. Yet even these depend more than you would believe, when you take them in detail, on the art of the forester. The view from Leith Hill embraces John Evelyn's woods at Wotton: the larches that cover one Jura-like gorge were set there well within your and my memory. But elsewhere in England the hand of man has done absolutely everything. The American, when he first visits England, is charmed on his way up from Liverpool to London by the exquisite air of antique cultivation and soft rural beauty. The very sward is moss-like. Thoroughly wild country, indeed, unless bold and mountainous, does not often please one. It is apt to be bare, unattractive, and desolate. Witness the Veldt, the Steppes, the prairies. You may go through miles and miles of the States and Canada, where the wildness for the most part rather repels than delights you. I do not say everywhere; in places the wilderness will blossom like a rose; boggy margins of lakes, fallen trunks in the forest overgrown with wild flowers, make scenes unattainable in our civilised England. Even our roughest scenery is comparatively man-made: our heaths are game preserves; our woodlands are thinned of superfluous underbrush; our moors are relieved by deliberate plantations. But England in her own way is unique and unrivalled. Such parks, such greensward, such grassy lawns, such wooded tilth, are wholly unknown elsewhere. Compare the blank fields and long poplar-fringed high roads of central France with our Devon or our Warwickshire, and you get at once a just measure of the vast, the unspeakable difference.