Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
Upon his second return, Mr. Leighton told me he found in London, for
sale, plates and dishes of the same character and coloring which were
said to have been brought around from Persia; so that, whatever may have
been the origin of this ware, whether Rhodes, Persia, or Damascus, the
product was almost the same.
Mr. Fortnum, in his "Hand-Book upon Maiolica," says:
"The paste varies in quality more than in kind, being of a gray-white
color and sandy consistence, analogous to that of the Persian wares. The
decoration is more generally rich in color, the ground white, blue,
turquoise, tobacco-color, and lilac, sometimes covered with scale-work,
with panels of Oriental form or leafage, large sprays of flowers,
particularly roses, tulips, hyacinths, carnations, etc., the colors used
being a rich blue, turquoise, green, purple, yellow, red, black. The
forms are elegant: large bowls on raised feet; flasks or bottles
bulb-shaped with elongated necks; pear-shaped jugs with cylindrical
necks and loop-handle; circular dishes or plates with deep centres, etc.
An interesting example of the highest quality of this ware is in the
writer's possession, and is described and figured in color in vol. xlii.
of the 'Archæologia.' It is a hanging-lamp made for and obtained from
the Mosque of Omar at Jerusalem, signed and dated June, 1549.
"Two leading varieties are known in collections: namely, _Damascus
proper_; known by its evenness of surface and rich glaze with subdued
but harmonious coloring, certain tones of which are peculiar to this
variety; for example, a dull lilac or purple, replacing the embossed red
so conspicuous on the Rhodian, and used against blue, which is of two or
three shades, the turquoise being frequently placed against the darker
tone; a sage green is also characteristic. The dishes of this variety
usually have the outer edge shaped in alternating ogee.
"This kind is much more uncommon than the other, RHODIAN or LINDUS, to
which the greater number of pieces known in collections as 'Persian
ware' belong. It is to Mr. Salzmann that we owe the discovery of the
remains of ancient furnaces at Lindus, in the island of Rhodes, from the
old palaces of which he collected numerous examples. This variety,
although extremely beautiful, is generally coarser than the former, and
the decoration more marked and brilliant. A bright-red pigment, so
thickly laid on as to stand out in relief upon the surface of the piece,
is very characteristic and in many cases is a color of great beauty; the
predominant decoration of the plates consists of two or three sprays of
roses, pinks, hyacinths, and tulips, and leaves, sometimes tied together
at the stem and spreading over the entire surface of the piece in
graceful lines; the border frequently of black and blue scroll-work.
Ships, birds, and animals, are also depicted; and a shield-of-arms
occurs on some pieces."
Public-domain text, read in full here on John Shaqi.
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