Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876Elliott, Charles Wyllys
History
Pottery and Porcelain, from early times down to the Philadelphia exhibition of 1876
Elliott, Charles Wyllys
Pottery -- History; Pottery -- Marks
We have a few words to say of the Persian or Arabic TILES. These have
been found inlaid upon the walls of mosques and palaces and tombs in
Damascus, in Cairo, in Ispahan. As far back as the palmy days of Babylon
and Assyria, these enameled or glazed bricks or tiles were used to
decorate the walls of their buildings; and that is about all we know.
These bricks remain; for, of all the works of man, the brick is
seemingly imperishable.
It is also certain that upon some of these bricks or tiles is found a
glaze or enamel made with the use of tin; so that what is now called
_stanniferous_ enamel was known at that early day, and long before it
was used in Italy by _Luca della Robbia_, who at one time was supposed
to have invented it.
The example here given (Fig. 63) is a very beautiful plaque, made up of
many pieces, and is remarkable for the splendor of its color, rather
than for any perfectness of design. It is interesting, however, as
showing the dresses of the cavaliers of the Persian court.
[Illustration: FIG. 63.--_Persian Plaque._]
In the walls of Damascus, of Jerusalem, and of Cairo, these tiles were
imbedded for ornamental and decorative purposes, and from them they have
been gathered by those good people called "collectors." In Fig. 62 is an
engraving of one in Mr. Prime's collection, which gives simply the
lines, but wholly fails to give the magic and mystery of color which
endues it with beauty. This cannot be described, nor can it be
pictured; the combinations of blues are too subtile for the palette of
the painter; they have been sublimated in the fiery heats of the
furnace.
A few of these tiles are in possession of Mr. Prime and of Mr. Wales;
and a very fine collection is now in the house of Mr. Leighton, of
London, of which I have spoken. He has had them imbedded in the walls of
his halls, which they tinge with their peculiar and pensive light.
CHAPTER VI.
GLAZED POTTERY.--ITALIAN MAIOLICAS.
The Word Maiolica, or Majolica.--Italian Renaissance.--The Dark
Ages.--The Crusades.--The Mezza-Maiolica.--The True Maiolica.--Luca
della Robbia.--Urbino.--Xanto and Fontana.--Raffaelesque Ware.--Mr.
Fortnum.--Prices to-day.--Gubbio.--Maestro Giorgio.--The
Lustres.--Castel-Durante.--Faenza.--The Sgraffito.--Forli, Venice,
Castelli, etc.--Castellani.--Maiolicas at the Centennial.
The term MAIOLICA, or _Majolica_, as has been often explained, came from
the island of Majorca, whence came to Italy, in the twelfth century,
some of those peculiar potteries already described under the name of
_Hispano-Moresque_.
Public-domain text, read in full here on John Shaqi.
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