Remember that no matter what nature may have produced or may be producing, the means must necessarily have been adequate, must have been FITTED TO THAT PRODUCTION. The argument from fitness to design would consequently always apply, whatever were the product's character. The recent Mont-Pelee eruption, for example, required all previous history to produce that exact combination of ruined houses, human and animal corpses, sunken ships, volcanic ashes, etc., in just that one hideous configuration of positions. France had to be a nation and colonize Martinique. Our country had to exist and send our ships there. IF God aimed at just that result, the means by which the centuries bent their influences towards it, showed exquisite intelligence. And so of any state of things whatever, either in nature or in history, which we find actually realized. For the parts of things must always make SOME definite resultant, be it chaotic or harmonious. When we look at what has actually come, the conditions must always appear perfectly designed to ensure it. We can always say, therefore, in any conceivable world, of any conceivable character, that the whole cosmic machinery MAY have been designed to produce it. Pragmatically, then, the abstract word 'design' is a blank cartridge. It carries no consequences, it does no execution. What sort of design? and what sort of a designer? are the only serious questions, and the study of facts is the only way of getting even approximate answers. Meanwhile, pending the slow answer from facts, anyone who insists that there is a designer and who is sure he is a divine one, gets a certain pragmatic benefit from the term--the same, in fact which we saw that the terms God, Spirit, or the Absolute, yield us 'Design,' worthless tho it be as a mere rationalistic principle set above or behind things for our admiration, becomes, if our faith concretes it into something theistic, a term of PROMISE. Returning with it into experience, we gain a more confiding outlook on the future. If not a blind force but a seeing force runs things, we may reasonably expect better issues. This vague confidence in the future is the sole pragmatic meaning at present discernible in the terms design and designer. But if cosmic confidence is right not wrong, better not worse, that is a most important meaning. That much at least of possible 'truth' the terms will then have in them.