English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
I think you will now understand what Swinburne's purpose was, and be
able to judge of it. His mistakes were due not only to his youth but
also to his astonishing genius; for he could not then know how much
superior in ability he actually was to any other English poet. He
imagined that there were many who might do what he could do. The truth
is that hundreds of years may pass before another Englishman is born
capable of doing what Swinburne could do. Men of letters have long ago
forgiven him, because of this astonishing power. They say, "We know the
poems are improper, but we have nothing else like them, and English
literature cannot afford to lose them." The scholars have forgiven him,
because his worst faults are always scholarly; and a common person
cannot understand his worst allusions. Indeed, one must be much of a
classical scholar to comprehend what is most condemnable in the first
series of the "Poems and Ballads." Their extreme laxity will not be
perceived without elaborate explanation, and no one can venture to
explain--I do not mean in a university class room only, I mean even in
printed criticism. When this was attempted by the poet's enemies, he
was able to point out, with great effect, that the explanations were
much more immoral than the poems.
Now in considering Swinburne's poetry in a short course of lectures,
I think it will be well to begin by explaining his philosophical
position; for every poet has a philosophy of his own. As I have
already said, there is less of this visible in Swinburne than in the
other Victorian poets, but the little there is has a particular and
beautiful interest, which we shall be able to illustrate in a series of
quotations. I am presuming a little in speaking about his philosophy
because there has been nothing of importance written about his
philosophy, nor has he himself ever made a plain statement of it. In
such a case I can only surmise, and you need not consider my opinion
as definitive. Swinburne is, like George Meredith, an evolutionist,
and he has something of the spiritual element in him which we notice
in Meredith as a philosopher--but always with this difference, that
Meredith makes evolution preach a moral law, and Swinburne does not.
But here we notice that Swinburne's evolution is something totally
different from Meredith's in its origin. I have said to you that
Meredith expresses evolutional philosophy according to Herbert Spencer;
I consider him the greatest of our philosophical poets for that very
reason. Swinburne does not appear to have felt the influence of Herbert
Spencer; he seems rather to reflect the opinions of Comte--especially
of Comte as interpreted by Lewes, and perhaps by Frederic Harrison.
He speaks of the Religion of Humanity, of the Divinity of Man, and of
other things which indicate the influence of Comte. Furthermore, I must
say, being myself a disciple of Spencer, that Swinburne's sociological
Public-domain text, read in full here on John Shaqi.
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