Prejudices, first seriesMencken, H. L. (Henry Louis)
History
Prejudices, first series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
I come by this route to George Ade—who perhaps fails to fit into the
argument doubly, for on the one hand he is certainly not a literary
artist of the first rank, and on the other hand he has long enjoyed a
meed of appreciation and even of honor, for the National Institute of
Arts and Letters elevated him to its gilt-edged purple in its first
days, and he is still on its roll of men of “notable achievement in art,
music or literature,” along with Robert W. Chambers, Henry Sydnor
Harrison, Oliver Herford, E. S. Martin and E. W. Townsend, author of
“Chimmie Fadden.” Nevertheless, he does not fall too far outside, after
all, for if he is not of the first rank then he surely deserves a
respectable place in the second rank, and if the National Institute
broke the spell by admitting him then it was probably on the theory that
he was a second Chambers or Herford, or maybe even a second Martin or
Townsend. As for the text-book dons, they hold resolutely to the
doctrine that he scarcely exists, and is not worth noticing at all. For
example, there is Prof. Fred Lewis Pattee, author of “A History of
American Literature Since 1870.” Prof. Pattee notices Chambers, Marion
Harland, Herford, Townsend, Amélie Rives, R. K. Munkittrick and many
other such ornaments of the national letters, and even has polite bows
for Gelett Burgess, Carolyn Wells and John Kendrick Bangs, but the name
of Ade is missing from his index, as is that of Dreiser. So with the
other pedagogues. They are unanimously shy of Ade in their horn-books
for sophomores, and they are gingery in their praise of him in their
innumerable review articles. He is commended, when at all, much as the
late Joseph Jefferson used to be commended—that is, to the accompaniment
of reminders that even a clown is one of God’s creatures, and may have
the heart of a Christian under his motley. The most laudatory thing ever
said of him by any critic of the apostolic succession, so far as I can
discover, is that he is clean—that he does not import the lewd
buffooneries of the barroom, the smoking-car and the wedding reception
into his books....
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