Prejudices, fourth seriesMencken, H. L. (Henry Louis)
History
Prejudices, fourth series
Mencken, H. L. (Henry Louis)
American essays -- 20th century; American literature -- History and criticism; Literature -- History and criticism
The world has very little sense of humor. It is always wagging its ears
solemnly over elaborate jocosities. For 600 years it has gurgled over
the “Divine Comedy” of Dante, despite the plain fact that the work
is a flaming satire upon the whole Christian hocus-pocus of heaven,
purgatory and hell. To have tackled such nonsense head-on, in Dante’s
time, would have been to flout the hangman; hence the poet clothed his
attack in an irony so delicate that the ecclesiastical police were
baffled. Why is the poem called a comedy? I have read at least a dozen
discussions of the question by modern pedants, all of them labored and
unconvincing. The same problem obviously engaged the scholars of the
poet’s own time. He called the thing simply “comedy”; they added the
adjective “divine” in order to ameliorate what seemed to them to be an
intolerable ribaldry. Well, here is a “comedy” in which human beings
are torn limb from limb, boiled in sulphur, cut up with red-hot knives,
and filled with molten lead! Can one imagine a man capable of such a
poem regarding such fiendish imbecilities seriously? Certainly not.
They appeared just as idiotic to him as they appear to you or me. But
the Federal judiciary of the day made it impossible to say so in plain
language, so he said so behind a smoke-screen of gaudy poetry. How
Dante would have roared if he could have known that six hundred years
later an illiterate President of the United States, a good Baptist with
money in the bank, married happily to a divorcée--would take the whole
thing with utter seriousness, and deliver a nonsensical harangue upon
the lessons in it for American Christians!
Public-domain text, read in full here on John Shaqi.
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