Children's stories; Christian life -- Juvenile fiction; Didactic fiction; Domestic fiction; Pride and vanity -- Juvenile fiction
A heavy rain is pattering without, and flashes of bright lightning
are occasionally reflected on the wall; but safe in the comfortable
dwelling, the party give little heed to the weather. In one corner sits
Dr. Bardon, engaged in a game of chess with Mrs. Aumerle. He considers
that he is giving her a lesson; she, having no particular desire to learn
the game, and finding no great amusement in an inevitable check-mate,
is good-humouredly submitting to be beaten for the gratification of
her guest. Cecilia, rather over-dressed, as usual, as if, as Mabel
once observed, she were always expecting a grand party, after much
persuasion, which she regards as the indispensable prelude to her
performance, has passed her pink ribbon over her neck, and is giving
her friends a song, to the accompaniment of the guitar. It is with her
music as with things more important, Cecilia, in her efforts to rise
above mediocrity, only manages to sink below it. She is not contented
with the soft middle tones, in which her voice shows considerable
sweetness; Cecilia must sing very high; and the painful result is, that
the strained organ cannot reach the prescribed point, falls flat, and
discord annoys the ear. Miss Bardon is not satisfied with simple ballads,
which she could sing with feeling and taste; she must show off her very
indifferent execution in difficult bravura airs. As her dress must be
that of a peeress, so her music must be that of a professor. Cecilia
aims not at giving pleasure, but at exciting admiration, and succeeds
in accomplishing neither object. Poor Ida, a distressed listener to the
flourishes in “Bel raggio lusinghier,” is meditating how she can contrive
to unite politeness with truthfulness; and in thanking Miss Bardon
for her song, neither violate sincerity nor hurt the feelings of her
sensitive friend. Mabel, who has kept up a low, whispered conversation
with her uncle at the very farthest end of the room, is impatiently
waiting till Cecilia’s cadenzas and appoggiaturas shall cease, to speak
to her father on a subject of which her mind is quite full.
The last twang at length is given; Ida says, what she can say; if it
be a little less than the singer would have liked, it is a little more
than the speaker’s conscience could warrant. Mr. Aumerle’s simple thanks
have been uttered, and Mabel, released from the necessity of being
comparatively quiet, runs up to her father, and says, playfully leaning
on his arm; “O papa! I have such a favour, such a great favour to ask of
you!”
“If it be anything reasonable.”
“I don’t know if you’ll think it reasonable or not, but Uncle Augustine
sees no objections. He says that he will, if you only consent, take me up
with him in the balloon!”
“My child!” exclaimed the vicar.
“Bless the girl!” cried Mrs. Aumerle from her chess-board. Cecilia lifted
her hands in surprise, while Dr. Bardon laughed aloud.
Public-domain text, read in full here on John Shaqi.
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