Children's stories; Christian life -- Juvenile fiction; Didactic fiction; Domestic fiction; Pride and vanity -- Juvenile fiction
Mabel’s proud spirit was thoroughly roused by this remark. Her present
mood seemed strangely inconsistent with the softened humility which she
had shown, when in the arbour a few days previously, she had leant her
head on her sister’s bosom, feeling herself indeed to be a poor, helpless
sinner! But is not this a species of inconsistency which, by experience,
we know to be but too common in the heart? We prostrate ourselves before
God, but stand erect before our fellow-creatures: we own our infirmities
in the quiet hour when religion speaks to the soul, but start back with
angry indignation, if those weaknesses be touched upon by another. Pride
stands back when we, in solitude, or with one chosen friend, review our
past conduct and mourn over our faults, but springs forward if a rebuke,
however just, be not sweetened by flattery, or tempered by caution.
Mabel disliked her stepmother, and did not care to hide that dislike
from its object. The feeling partly arose from a want of tenderness and
tact on the part of Mrs. Aumerle. That lady, with much common sense,
high principle, and warmth of heart, was quite devoid of that nice
apprehension of tender points, that delicacy in touching upon painful
subjects, which is morally, what _feelers_ are physically to some of the
insect creation. Mrs. Aumerle had no _feelers_, and she rather prided
herself on the want. She classed nerves, sensibility, timidity, romance,
under the one comprehensive title of “humbug;” things which, like
cobwebs, she would have thought too insignificant to be noticed, had they
not been, to the mental eye, too unsightly to be spared. Mrs. Aumerle’s
sympathies were quick and active in cases of what she regarded as real
distress. She was an eminently practical woman, and did much good in her
husband’s parish; but she had no pity for nervous complaints, no patience
for fanciful troubles. It may be imagined how little of congeniality
there could be between such a character and that of the refined sensitive
Ida, the romantic impulsive Mabel.
Public-domain text, read in full here on John Shaqi.
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