"Nina, I never knew any one work harder than you are doing. Of course
it's very handy your having Mrs. Grey to coach you; and you can't do
better than stand opposite that long mirror and watch yourself doing
what she tells you to do. She's quite enthusiastic about you; perhaps
it's because you are so considerate--she says you never practise until
the other lodgers have gone out. By the way, that reading dialogue aloud
is capital; I can hear how your English is getting freer and freer; why,
in a little while you'll be able to take any part that is offered you.
And in any case, you know, the English audiences rather like a touch of
foreign accent; oh, you needn't be afraid about that. Well, now, all
this hard work can't go on forever; you must have a little relaxation;
and I'm going to take you and Mrs. Grey for a drive down to Hampton
Court, and we'll dine there in the evening, in a room overlooking the
river--very pretty it is, I can tell you. What do you say? Will next
Friday do? Friday is the night of least consequence in a London theatre;
and if you can arrange it with Mrs. Grey, I'll arrange it with Lehmann;
my under-study is always glad of a chance of taking the part. You
persuade Mrs. Grey, and I'll manage Lehmann. Is it a bargain?"
So it came about that on a certain bright and sunny morning in June
Lionel was standing at the window of a private room in a hotel near the
top of Regent Street, where he proposed (for he was an extravagant young
man) to entertain his two guests at lunch before driving them down to
Hampton Court. He had ordered the wine and seen that the flowers on the
table were all right; and now he was looking down into the street,
vaguely noticing the passers-by. But this barouche that drove up?--there
was something familiar about it--wasn't it the carriage he had sent
down to Sloane Street?--then the next moment he was saying to himself,
"My goodness gracious! can that be Nina?"
And Nina it assuredly was; but not the Nina of the black dress and
crimson straw hat with which he had grown familiar. Oh, no; this young
lady who stepped down from the carriage, who waited a second for her
friend, and then crossed the pavement, was a kind of vision of light
summer coolness and prettiness; even his uninstructed intelligence told
him how charmingly she was dressed; though he had but a glimpse of the
tight-fitting gown of cream-white, with its silver girdle, the white
straw hat looped up on one side and adorned on the other with large
yellow roses, the pale-yellow gloves with silver bangles at the wrists,
the snow-white sunshade, with its yellow satin ribbons attached. The
vision of a moment--then it was gone; but only to reappear here at the
open door. And who could think of her costume at all when Nina herself
came forward, with the pretty, pale, foreign face so pleasantly smiling,
the liquid black eyes softly bespeaking kindness, the half-parted lips
showing a glimmer of milk-white teeth.
"Good-morning, Leo!"
Public-domain text, read in full here on John Shaqi.
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