Divorce -- Fiction; Man-woman relationships -- Fiction; Virginia -- Fiction
The man opened the door of the back parlor and stood aside to let Mr.
Thorne pass; then he closed it noiselessly and proceeded up-stairs to
inform his mistress.
Thorne glanced around the room curiously; it was two years since he had
seen it. On the marble hearth burned a bright wood-fire, and the
dancing flames reflected themselves in the burnished brasses. The
tiles around the fireplace were souvenirs of his wedding, hand-painted
by the bevy of bridesmaids to please a fancy of Ethel's. Norma's was
in the center--the place of honor. It was a strange thing that Norma
had selected to paint; heavy sprays of mingled nightshade and monkshood
on a ground the color of a fading leaf; but, strange as it was, it was
the most beautiful of them all. There were flowers in the room and the
perfume of heliotrope and roses filled the air. The piano was open and
on it one of the popular songs of the day; a loud, garish thing. Ethel
liked what she called "bright music;" on the keys lay a tumbled lace
handkerchief, and on the floor, close to the pedal of the instrument,
was a man's driving glove.
Over the piano hung the portrait of a lady with soft, gray hair, and
the expression of purity and love which medieval painters gave to their
saints. It was a picture of Thorne's mother and it hurt him to see it
there. He determined to have it removed as soon as possible.
The door opened and Mrs. Thorne entered, feeling herself terribly
ill-used and persecuted, in that her husband had elected to come to her
in person, instead of availing himself of the simpler and more
agreeable mode of communication through their lawyers. It was quite
possible that he would make himself disagreeable. Mrs. Thorne shrank
from any thing disagreeable, and had no tolerance for sarcasms
addressed to herself. She would have refused the interview had she
dared, but in her heart she was dimly afraid of her husband.
Thorne bowed coldly, and then placed a chair for her on the hearth-rug.
"Sit down," he said, "I want to talk to you," and then he seated
himself opposite her.
For awhile he did not speak; somehow the words he had come to say stuck
in his throat; it was so cold-blooded for them, husband and wife, to
sit there beside their own hearth and discuss their final separation.
A log, which had burned in half, fell and rolled forward on the marble
hearth, sending little puffs of gray smoke into the room. He reached
past her for the tongs and laid the log back in its place, and the
little action seemed to seal his lips more closely. The tiny clock on
the carved oak mantle chimed the hour in soft, low tones; he counted
the strokes as they fell, one, two, and so on up to twelve. The winter
sunshine streamed in between the parting of the curtains and made a
glory of his wife's golden hair.
Ethel was the first to speak. "You got my letter?" she questioned,
keeping her eyes fixed on the fire.
"Yes; that is the reason I'm here."
Public-domain text, read in full here on John Shaqi.
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