Now in the circles of "Upper Bohemia" nobody is anybody unless they can
do something--unless they can paint pictures or umbrella vases and
milking-stools, unless they can sing attractively, or play some
instrument beyond the ordinary average of skill, unless they can write
novels or make paragraphs for the newspapers, unless they can act or
give conjuring entertainments, or unless they can compose pretty little
songs with a distinct _motif_, or pieces for the piano which nobody can
make head or tail of. It is very funny that there should be so wide a
difference necessary between the composition of music for the voice and
music for the piano. For the first there must be a little something to
catch the ear, a little swing in the refrain, a something to make the
head wag to and fro; the words may be ever so silly if they are only
bordering on the pathetic, and if the catch in the refrain is taking
enough the rest of the song may be as silly as the words, and still it
will be a success. But with a piece it is different. For that the air
must be resolutely turned inside out, as it were, and apparently if the
composer chances to light on one or two pretty bits, he goes back again
and touches them up so as to make them match all the rest. It seems odd
this, but the world does not stop to listen, but talks its hardest, and
as at the end it says "How lovely!" I suppose it is all right.
But all these people stand in the very middle of "Upper Bohemia," and,
as a pebble dropped into the water makes circles and ever-widening
circles on the smooth surface, so do the circles which constitute "Upper
Bohemia" widen and widen until eventually they merge into the world
beyond! There are the amateurs and the reciters, and the artists who
put "decorative" in front of the word which denotes their calling, and
then put a hyphen between the two! And there are the thought-readers,
and the palmists, and the people who have invented a new religion! All
these are in the ever-widening circles of "Upper Bohemia." And outside
these again come the fashionable lady-dressmakers and the art-milliners,
the trained nurses and the professors of cooking. After these you may
go on almost _ad libitum_, until the circle melts into professional life
on the one hand and fashionable life on the other.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account