Publications of the Mississippi Historical Society, Volume 02 (of 14), 1899Mississippi Historical Society
History
Publications of the Mississippi Historical Society, Volume 02 (of 14), 1899
Mississippi Historical Society
Mississippi -- History
His sensitive nature cannot bear the thought of everybody seeing the
mark of the loathsome disease as it slowly eats its way, so he covers
his face with a black veil, which he never removes. He loses sight of
his own condition in ministering to the sufferings of others. Finally,
after many months his own hour comes, and he locks himself within his
office, determined that no mortal eye shall see his last sufferings.
He writes a letter to his wife beseeching her to respect his wishes
in this matter, and assuring her that by doing so she can atone for
all her sins against him. She obeys him to the letter, refusing, in
spite of vigorous protests, to allow anyone to enter his chamber. She
takes her position just outside his door, and listens with agony to
his moaning until the end comes, when she finds a note, written just
before he expired, in which he recognizes her love for him and asks
her forgiveness. After her own great sorrow she is able really to
sympathize with the sufferings of others, and finally goes down to the
grave respected by all who know her.
Such is the story, briefly told. The title reminds us of Hawthorne's
parable, 'The Minister's Black Veil.' Both Doctor Wickford and Parson
Hooper put on the veil never to lay it aside even for a moment, and
the effect on the outside world is naturally very much the same in
both cases, but here the resemblance ceases, for the cause is physical
in one instance and moral in the other. The selfishness and levity of
Madame Wickford find a parallel in the heroine of Benson's 'Dodo',
while her 'new birth' is not altogether unlike that of Marcella, who
is, however, an infinitely stronger character. More interesting still
is a comparison between our novel and 'The Forge Master' of George
Ohnet. Claire persists in receiving the advances of her husband,
Philippe Derblay, with such coldness that he finally loses patience and
pays her in her own coin. Her respect for him is awakened, and when he
is on the point of fighting a duel for her sake, she rushes in between
him and his adversary, revealing to him the fact that she now loves him
devotedly. Thus a reconciliation is effected. I do not mean to say that
our author has borrowed anything from these stories, for, while she is
probably acquainted with them all, it is by no means certain that she
has read any one of them. I have mentioned these points of resemblance
merely because I think they are interesting.
Public-domain text, read in full here on John Shaqi.
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