On every item in the Miscellaneous List the return is comparatively, as
well as positively and superlatively satisfactory. To the Bride in her
Honeymoon, to the Cabman and the Cabinet Minister at their respective
boxes, to the Bribed Elector in his Dungeon and to the Spirit Rapper in
his Sell, to the Artist before, the Candidate after, and the Soldier
under, his Canvass, to the woman-smiting ruffian, now (thanks to
FITZROY) catching it from Beak and Clause, to the spoiled juvenile at
the Jellies and the Undergraduate at the Isis, to the Actor at the Wing
and the Author at the Tale, to the Fisherman at the Perch and to the
Politician knocked off it, to the Turk by his Port, to the Guardsman by
his Tent, to the Policeman by his Cape, the Exeter Arcade Beadle by his
White Hermitage, and to the Masquerader by his patron saint JULLIEN,
_Mr. Punch_ is delighted to say that they will all find their account in
looking through his accounts for the last quarter.
* * * * *
ELECTIONS WITH ACCOMPANIMENTS.
(_To the Member for Lincoln._)
It is, COLONEL SIBTHORP, as you say, a mean, dirty, shabby, and
disgraceful measure--that Expenses of Elections Bill, which prohibits
flags and bands of music at Parliamentary elections. Flags, no doubt,
materially assist a thinking man in the process of deliberation, by
which he determines on a fit and proper person to represent him in
Parliament. But, waving the flags, let us more particularly denounce the
prohibition of music. The proposal, of course, arose from an absence of
music in the soul, and a fitness for treasons on the part of the
revolutionist who originated it.
But abuse, COLONEL, is not argument. Relinquishing the former, let us
bring forward the latter.
Election music is an institution of our ancestors; and, _you_ may say,
was intended for the promotion of harmony between opposite parties. When
it was first introduced, philharmonic art was in the state wherein it
had been left by Saint CECILIA, and had not arrived at the perfection
which it has attained to under M. JULLIEN. The wisdom of our ancestors
was greatly in advance of their music; their common sense was acute, but
their perception of sweet sounds obtuse; they had "a reasonable good ear
in music," according to _Bottom's_ idea thereof; let them have the tongs
and bones--give them _Bumper Squire Jones_, _Old Sir Simon the King_,
_The Roast Beef of Old England_, and the like, and they were content.
Tunes that the old cow died of animated them: they were enchanted by
melodies that now only charm the hearts of broomsticks. Elevated,
however, they were by these old rugged but patriotic strains, and in a
state of elevation they rushed to the poll, and did their duty as men
and Britons.
Public-domain text, read in full here on John Shaqi.
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