In the Hall of the St. George's Society of Philadelphia there is a very interesting picture by the late Mr. Sully of Queen Victoria in her coronation robes. It is life-size, and represents her as mounting the steps of the throne, her head slightly turned, and looking back over the left shoulder. It seems to me that Her Majesty should own this picture, for it is an exquisite specimen of Mr. Sully's peculiar coloring, and a very lovely portrait. Here is no rigidity, no constraint, no irksome state. There is a springy, exultant vitality in the bearing of the graceful figure, and the light poise of the head, while in the complexion there is a tender softness and a freshness of tints belonging only to the dewy morning of life. The princeliness of youth, the glow of joy and hope overtop and outshine the crown which she wears as lightly as though it were a May-queen's Coronal of roses; and the dignity of simple girlish purity envelops her more royally than velvet and ermine. The eyes have the softness of morning skies and spring violets, and the smile hovering about the red lips, a little parted, is that of an unworn heart and an eager, confident spirit. This was the first portrait of the young Queen I ever saw, and still seems to me the loveliest. Another American artist, Mr. Leslie, painted a large picture of the coronation, which Her Majesty purchased. As he was to paint the scene, he was provided with a very good seat near the throne--so near that he said he could plainly see, when she came to sign her coronation oath, that she wrote a large, bold hand, doing credit to her old writing master, Mr. Steward. In his recollections he says: "I don't know why, but the first sight of her in her robes of state brought tears into my eyes, and it had this effect upon many people; she looked almost like a child." Campbell, the poet, is related to have said to a friend: "I was at Her Majesty's coronation in Westminster Abbey, and she conducted herself so well during the long and fatiguing ceremony that I shed tears many times." Carlyle said at the time, with a shake of his craggy, shaggy head: "Poor little Queen! she is at an age at which a girl can hardly be trusted to choose a bonnet for herself, yet a task is laid upon her from which an archangel might shrink.": And yet, according to Earl Russell, this "poor little Queen," over whom the painters and poets wept, and the great critic "roared gently" his lofty commiseration, informed her anxious mother that she "ascended the throne without alarm." Victoria, if reminded of this in later years, might have said, "They who know nothing, fear nothing"; and yet the very vagueness, as well as vastness, of the untried life would have appalled many spirits.