American fiction -- 19th century; Dime novels; Man-woman relationships -- Fiction; Upper class -- Fiction
“Mother’s dear hands have touched it,” she said, “and that brings her so
near to me that I almost feel as if she were here herself. Oh, mother,
did your hands ever touch your baby, or did you die before you saw me?
Nobody ever told me. Why was father so silent, so proud? I would have
loved these people for her sake, and I will love them now in time. But
it is all so strange, and mother’s girlhood was so different from what I
have fancied it to be.”
Then, remembering what Mrs. Jerry had said of the bits of calico, she
brought the candle close to the bed and examined the pieces carefully,
especially the blue and white one in which Mrs. Jerry had said her
mother had looked so prettily. It was delicate in color and in pattern,
but to Reinette, who had never in her life worn anything coarser than
the fine French cambrics, it seemed too common a fabric for the picture
she held in her heart of her mother. It did not at all match the lovely
pearls she kept so sacredly among her treasures. Her trunks and boxes
had been brought from the station, and in one of them were the pearls.
Unlocking the box, Reinette took out the exquisite necklace, bracelets,
and ear-rings which her father told her her mother had worn to a ball,
where she had been noted as the most beautiful woman present.
Taking them now to the bedside, she laid them upon the squares of blue
and tried to picture to herself the beautiful woman in creamy white
satin who had worn them and the girl who had picked berries with Mrs.
Jerry, and worn the dress of blue.
“Pearls and calico! There is a great gulf between them,” she thought,
“but no greater than the distance between my old life and the new, which
I must live bravely and well.”
Then, returning the pearls to their casket, with a feeling that now she
should never wear them, she undressed herself rapidly, for her head was
beginning to ache, and throwing herself upon the bed drew the patch-work
quilt over her, caressing it as if it had been a living thing, and
whispering, softly:
“Dear mother, I do not love you one whit the less because you once
picked berries in father’s fields and wore the cotton gown, and you seem
near to me to-night, as if your arms were round me, and you were pitying
your desolate little girl, who has nobody to pity her, nobody to love
her, nobody to pray for her now, and she so wretched and bad.”
Poor little Reinette was mistaken when she thought there was no one to
pity or pray for her now, for across the river, over the hill, and under
the poplar trees, a light was still burning in the chamber where Grandma
Ferguson knelt, in her short night-gown and wide frilled cap, and prayed
for Margaret’s child, that God would comfort her and have her in his
keeping, while at the Knoll, Phil was thinking of the great sad eyes
which, though they had flashed only one look at him, haunted him
persistently, they were so full of pathos and pain.
Public-domain text, read in full here on John Shaqi.
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