Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
With Guérin, Armande appears to have lived very happily, and even the
author of _La Fameuse Comédienne_ is compelled to recognise that her
conduct was exemplary, though she hastens to qualify this reluctant
admission by declaring that her second husband was a veritable tyrant,
who brooked no opposition to his will and did not hesitate to enforce
obedience by blows. All disinterested witnesses, however, concur in
representing Guérin as an excellent man, and we see no reason to believe
that the anonymous author comes anywhere nearer the truth here than in
other portions of her history.
At Easter 1679, Armande and La Grange succeeded in persuading the famous
_tragédienne_ Mlle. de Champmeslé, who had been for nineteen years the
mainstay of the Hôtel de Bourgogne, to transfer her services to the
Théâtre Guénégaud, Armande, with rare self-denial, ceding to the
illustrious recruit the place which she herself had so long occupied.
The defection of their great actress was a paralysing blow for the
players of the Rue Mauconseil, and, coupled with the death of La
Thorillière, which occurred shortly afterwards, rendered their position
so precarious that, by a _lettre de cachet_ dated October 21, 1680,
Louis XIV. directed that they should join forces with the Théâtre
Guénégaud; and the Comédie-Française was founded. Thus, of the three
great troupes in existence at the time of Molière's death, his own alone
survived, fortified by the ruin of their rivals.
Armande continued her career as an actress for some years longer,
perhaps her most successful impersonation being that of a young Italian
girl in a play called _Le Parisien_, written by the husband of Mlle. de
Champmeslé. At the Easter recess of 1694, she retired from the stage,
with a pension of one thousand livres. From that time we hear but little
of her. She appears to have lived a very quiet and uneventful life, for
the most part, at a charming country-house which she owned at Meudon,
and which still exists, very much as the actress left it.[41] She died
at Paris, in the Rue du Touraine, on November 30, 1700, at the age of
fifty-eight.
Of Armande's three children by Molière only one survived their father, a
daughter, Madeleine, who, at the age of twenty, much to her mother's
disgust, eloped with a M. de Montalant, a middle-aged widower with
several children. Making a virtue of necessity, Madame Guérin gave her
consent to her daughter's marriage, and Madeleine and her husband
subsequently resided at Auteuil, where the former died in 1723. She left
no children.
By Guérin, Armande had a son, to whom she seems to have been intensely
devoted. In 1698, at the age of twenty, this young man published an
edition of the _Mélicerte_ of Molière, which he had rendered into verse,
preceded by an introduction, in which he mentioned that in the Guérin
household the memory of the dramatist was held "in respect and
veneration."
Public-domain text, read in full here on John Shaqi.
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