"For in this, too, my friend," she said, in concluding her
explanations, "you will agree with me: the more carefully we prepare
all things needful, and thus show the child, as it were, an image of
the safe and sure and peaceful happiness awaiting her, the more swiftly
and fondly her fancy will busy itself with that image, and from the
fair image to the fairer reality--_il n'y a qu'un pas_. But first we
must settle about the villa. There will be no difficulty if you speak
seriously to Otto."
"I promise," replied Bertram.
The incident was most opportune, he thought. Here Otto, already
harassed on all sides, was threatened, with huge additional
expenditure, before which even his fatal readiness to yield must needs
pause at length, as before an absolutely insuperable obstacle. The
consequences were clear. He could not simply meet his wife's request by
a refusal. There must be a full explanation between husband and wife;
there would be a fearful storm, but it had to come, it was absolutely
required to clear the sultry atmosphere, to disentangle the wretchedly
involved situation. Hildegard's frivolous scheme would burst like a
soap-bubble, and at one stroke Erna would be freed from an importunate
suitor, and her father from an unworthy and intolerable position.
Yesterday already he had been determined to stand by his friend through
all the anxieties, embarrassments, and perils which were bound to
ensue. To-day his heart beat anxiously, eager as he was to face those
perils, for every peril cleared out of her path and victoriously
conquered, was a trophy laid at her feet, hers, for whom he would have
willingly shed his heart's blood drop by drop.
Fancy his terror and his indignation when, driving to town with Otto
later in the day, he found his friend more removed than ever from any
manly resolve.
"The purchase of this villa, dear me--why, if Hildegard cares for it so
much--would, after all, be a comparative trifle--really. And then, what
I told you yesterday regarding my situation, why, dear me, you know me
well enough, old man, to ... to know how I am influenced by passing
moods. That makes me look at all things accordingly; things are either
black or white to me. And yesterday, why, I had a black, a very black
mood. To be sure, my factories are not a success, and, indeed, may now
and again involve a loss. But, then, look at those fields, and think of
the crop we'll have; and with such a prospect I can afford to leave
myself a very fair margin, the more so as the harvest in Russia and in
Hungary promises to be very bad--so the reports say--and in that case
we shall make no end of money. And then--look here--just you read his
paragraph in the paper about the railway question. Eh--and the
paragraph, I feel sure, is from the pen of the President of our own
local Parliament, who is, by the by, a great friend of mine, and has
for years been my lawyer. Well, what do you say now?"
Public-domain text, read in full here on John Shaqi.
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