Raemaekers' Cartoons: With Accompanying Notes by Well-known English WritersRaemaekers, Louis
History
Raemaekers' Cartoons: With Accompanying Notes by Well-known English Writers
Raemaekers, Louis
Raemaekers, Louis, 1869-1956; World War, 1914-1918 -- Caricatures and cartoons
But, on the other hand, it is very clear that, as part and parcel of
this vigorous offensive, Germany is already in more quarters than one
suggesting that she is quite open to offers of peace. As every one
knows, Von Buelow in Switzerland is the head and controlling agent of a
great movement in the direction of peace; while lately we have heard of
offers made to Belgium that if she will acknowledge a commercial
dependence on the Central Empires her territory will be restored to her.
Similar movements are going on in America, because throughout Germany
still seeks to pose as a nation which was attacked and had to defend
herself, and is therefore quite ready to listen if any reasonable offers
come from her enemies to bring the war to a close.
The unhappy German Imperial Chancellor has to play his part in this
sorry comedy with such skill as he can manage. To his German countrymen
he has to proclaim that the war has been one brilliant progress from the
start to the present time. This must be done in order to allay the
apprehensions of Berlin and to propitiate the ever-increasing demand for
more plentiful supplies of food. Secretly he has to work quite as hard
to secure for the Central Empires such a conclusion of hostilities as
will leave them masters of Europe. And, without doubt, he has to put up
with a good many indignities in the process. "The worst of it is, I must
always deny having been there." Kicked out by the Allies, he has to
pretend that no advances were ever made. Perhaps, however, such a task
is not uncongenial to the man who began by asserting that solemnly
ratified treaties were only "scraps of paper."
W. L. COURTNEY.
[Illustration: NEW PEACE OFFERS
VON BETHMANN-HOLLWEG "The worst of it is, I must always deny having
been there."]
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THE SHIELDS OF ROSSELAERE
The climax of meanness and selfishness would seem to be reached when an
armed man shelters himself behind the unarmed; yet it is not the climax,
for here the artist depicts a body of German troops sheltering
themselves behind women, calculating that the Belgians will not fire on
their own countrywomen and unarmed friends, and that so the attack may
safely gain an advantage.
There is a studied contrast between the calm, orderly march of the
troops with shouldered arms and the huddled, disorderly progress to
which the townspeople are compelled. These are not marching; they are
going to their death. Several of the women have their hands raised in
frantic anguish, their eyes are like the eyes of insanity, and one at
least has her mouth open to emit a shriek of terror. Two of the men are
in even worse condition; they are collapsing, one forward, one backward,
with outstretched hands as if grasping at help. The rest march on,
courageously or stolidly. Some seem hardly to understand, some
understand and accept their fate with calm resignation.
Public-domain text, read in full here on John Shaqi.
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