"Although there were only five chapters finished, the rest being but synopsis and elaborated scenes, we knew that we had something--something big. We delayed reporting upon it until Mr. Brewster--our senior partner--returned from Europe. Mr. Brewster has the final decision on all manuscripts; he was as well pleased with this offering as we were. Frankly, we saw possibilities of another great success such as those two long historical novels which have been so popular during the past few years. "Queerly enough, the author's name was not upon the papers sent us by the agent--that is, his proper name; there was a pen-name. And when we applied to Mr. Lever, the agent, we received a most unpleasant shock. The author's real name, which had been given in the covering letter mailed with the manuscript to Mr. Lever, had most strangely disappeared, due to some carelessness in his office. "Now we have an extremely promising book and no author--" "What I can't understand," cut in Holmes, "is the modesty of the author. Why hasn't he written to Lever?" "That is the most unfortunate part of the whole affair." Mr. Creighton shook his head. "Lever recalled that the chap had said in the letter that if Lever found the manuscript unsalable he should destroy it, as the writer was moving about and had no permanent address. The fellow added that if he didn't hear from Lever he would assume that it was not acceptable. Lever wrote to the address given in the letter to acknowledge receipt, but that was all." "Mysterious," Val commented, interested in spite of himself. "Just so. Lever deduced from the tone of the letter that the writer was very uncertain of his own powers and hesitated to submit his manuscript. And yet, what we have is a very fine piece of work, far beyond the ability of the average beginner. The author must have written other things. "The novel is historical, with a New Orleans setting. Its treatment is so detailed that only one who had lived here or had close connections with this country could have produced it. Mr. Brewster, knowing that I was about to travel south, asked me to see if I could discover our missing author through his material. So far I have failed; our man is unknown to any of the writers of the city or to any of those interested in literary matters. "Yet he knows New Orleans and its history as few do today except those of old family who have been born and bred here. Dr. Hanly Richardson of Tulane University has assured me that much of the material used is authentic--historically correct to the last detail. And it was Dr. Richardson who suggested that several of the scenes must have actually occurred, becoming with the passing of time part of the tradition of some aristocratic family.