Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
It was decorated with the rams of the captured ships of Antony and
Cleopatra. It was the custom to speak from the circular edge; but when
the Temple of Cæsar was built, it was erected close up to his rostra,
on the site where the people had previously stood, and so they had to
turn about and address the people from the flat edge. "As he was
seated on the rostra at the festival of Pan, Mark Antony placed upon
his brow a royal diadem" (Velleius Paterculus, ii. 56).
MARK ANTONY'S SPEECH.
When Cæsar was killed, it was not in the Capitol, as Shakespeare makes
it, nor in the Senate House upon the Forum, but in Pompey's Senate
House (see page 195). From there the body was carried to his house,
and next day into the Forum, on its way to the Campus Martius, and was
placed in front of the Rostra Julia for some friend to make the
funeral oration over it. Mark Antony mounted the rostra, and there
made his famous speech, "which moved the people to that degree that
they immediately burned the body in that very place, and afterwards
interred his ashes" (Dion Cassius, "Cæsar").
Livy ("Epit." xcvi.) says that "Cæsar's body was burned before the
plebeian rostra." Dion Cassius says his temple-tomb was built on the
very spot where his body was burned.
Unfortunately Antony's address has not come down to us, so we must
accept Shakespeare's immortal version.
THE CURTIAN LAKE.
Crossing the Sacred Way, which passes along the front of Cæsar's Tomb,
we arrive at the space occupied by the shops destroyed in excavating.
The construction remaining shows that they were rebuilt at a late
date. It will be noticed that the soil is damp and sandy. This spot
was once marshy, and took its name from Mettius Curtius, a leader of
the Sabines, getting mired here in the battle which took place about
the carrying off of the women. Plutarch, Livy, Dionysius, and Ovid
agree in this; and not from the fable related by Livy (vii. 16) of the
Forum opening, and Marcus Curtius jumping in, horse, armour, and all.
The former event is commemorated in a relief in stone now in the
Capitol; whilst the latter fable is depicted in the marble relief now
in the Borghese Museum.
THE PEDESTAL OF THE STATUE OF DOMITIAN.
The Statue was destroyed by the people after his death, and the base
of the pedestal is all we have left, standing upon the travertine
pavement of the Forum. It is interesting to archæologists as putting
to rest the arguments in reference to the names and positions of the
different buildings in the Forum. The poet Statius ("Silvæ," i. 1, 22)
describes the relative position of the different buildings and this
statue. He tells us that the statue was situated in the middle of the
Forum, near the Curtian Lake. In front of it was the temple of the
deified Julius; behind it were the Temples of Vespasian and Concord;
on one side the Basilica Julia, and on the other the Basilica Æmilia;
whilst the rider looked towards the Temple of Vesta and the Imperial
Palace.
Public-domain text, read in full here on John Shaqi.
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