American fiction -- 20th century; Short stories, American
I have never in my life known anything more sparkling and stimulating
than those half-hour intermissions. The old man always clapped on his
hat, talking incessantly as usual, and, stretching his long legs to a
stride which kept me trotting like a little dog at his side, started up
the Boulevard St. Michel towards the Odéon, to the pastry-shop which
calls itself “of the Medicis.” As soon as his tall form showed in the
distance, and the inimitable, high, never-to-be-forgotten squeak of
his voice could be heard, one of the elegant young-lady waitresses
bestirred herself--for the pastry-shop was proud of its famous patron.
She always had _babas au rhum_ waiting for us, as this was the only
pastry Professor Meyer considered worth eating. I do not like _babas
au rhum_ myself, but who was I to set up my insignificant opinion
against so great a man? So I ate the wet sop docilely, considering it
a small price to pay for the stories that went with it, stories that
blew the walls away from around us, and spread there the rich darkness
of the Middle Ages. There were stories out of medieval manuscripts
as yet unattributed and unedited, heaped in the upper rooms of the
Ambrosiana at Milan, of the untold riches, unclassified and unarranged
of the Bodleian, which Paul Meyer described with apostolic fervor;
of priceless scripts discovered in impossible places, by incredible
coincidences; of years of fruitless work on an obscure passage in the
Grail-cycle, suddenly cleared up because a Greek priest in Siberia had
discovered a manuscript bound in with an old Bible.
Or if he were in a playful mood, the mood the waitresses adored and
hoped for, he would begin juggling with the names of things about
us, the trim shoes on their feet, the brooches at their throats, the
ribbon in their well-kept hair; and with a pyrotechnic display of
laughing erudition, would hunt those words around and around through
all the languages where they had tarried for a time, back through
history--the Renaissance, the Middle Ages, the Dark Ages, Late Latin,
the Empire--till they ended in the long-drawn sonorous Sanscrit chant
of an early Aryan dialect, which Professor Meyer rendered with a total
disregard of onlookers.
After one of these flights, we came to ourselves with a start, looking
around with astonishment at our everyday dress and surroundings and
bodies.
Public-domain text, read in full here on John Shaqi.
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