American fiction -- 20th century; Short stories, American
During the second trial of Dreyfus, Paul Meyer was called to testify
as a handwriting expert and gave his testimony in favor of Dreyfus,
the evidence, he said, being unmistakable. It was at the height of the
Dreyfus re-trial, when all France was throbbing with hate and suspicion
like an ulcer throbbing with fever. Professor Meyer was abominably
treated by the opposition, attacked in the streets, insulted,
boycotted, his classes filled with jeering young men who yelled him
down when he tried to speak. His bearing through this trial is one of
the momentous impressions of my life. He did not resent it, he made no
effort to resist it, he struck no melodramatic attitude, as did many
of the fine men then fighting for justice in France. He smothered the
flame out, down to the last spark by his total disregard of it. What
did he care for howling fanatics in one camp or another? Nothing! He
had been asked to pass judgment on a piece of handwriting and he had
done it. There was nothing more to be said.
I cannot forget the slightest shade of his expression as he stood
one day, on the platform of his classroom, chalk in hand, ready to
write out an outline on the blackboard, waiting, while the yelling
crowd of “_manifestants_,” mostly young men in flowing black neckties,
with straggling attempts at beards on their pimply faces, stamped
and hooted and shrieked out, “Dirty Jew! What were you paid? Shut
up! Shut up! What was your price, dirty Jew?” and other things less
printable. And yet, although I can shut my eyes now and see that
harsh, big-nosed, deeply-lined old face, with the small, bright eyes
under the bristling white eyebrows, I can not think of any words to
describe its expression--not scornful, not actively courageous, not
resentful, not defiant; rather the quiet, unexcited, waiting look of a
man in ordinary talk who waits to go on with what he has to say until
a pounding truck of iron rails has time to pass the windows. He stood
looking at his assailants, the chalk ready in his bony fingers, and
from him emanated so profound a sense of their entire unimportance, of
the utterly ephemeral quality of their emotion compared to the life
of the consonant he was about to discuss, that little by little they
were silenced. Their furious voices flattened out to an occasional
scream which sounded foolish even to their own ears. They looked at
each other, got up in a disorderly body and stamped out of the room.
The last one might have heard Professor Meyer’s high, squeaky voice
stating, “Thus in Picardy and in the north of Normandy, Latin _C_
before _a_ did not undergo the change noted in other provinces, and we
still find it pronounced....”
The pale, keen seminarists in their long, black gowns, and the American
girl, whipped out their notebooks and were at once caught up into the
Paul-Meyer world where no storms blew.
Public-domain text, read in full here on John Shaqi.
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