Recollections and impressions of James A. McNeill WhistlerEddy, Arthur Jerome
General
Recollections and impressions of James A. McNeill Whistler
Eddy, Arthur Jerome
Painters -- United States -- 19th century -- Biography; Whistler, James McNeill, 1834-1903
“The place was kept by Madame Busque, who had been a governess in a
private family in the south of France, and having saved a little
money, had come to Paris and opened a creamery. The very day she
opened her shop, Mr. Chase, Paris correspondent of the New York
_Times_, passing by, was attracted by the clean look of the place,
and stepped in for his early breakfast of coffee and rolls. The
little back room contained two round tables, and beyond was the
kitchen with the usual charcoal broiler and little furnaces. Chase
was so pleased that he came again, and getting acquainted with
Madame, who was well educated and very ladylike and anxious to
please, arranged for a dinner at 6.30 for a party of four.
Everything was good and so well served that soon she had a regular
custom of American residents,--literary men, artists, and students
of all kinds, art, scientific, literary, and medical,--and soon the
place became famous. American dishes were introduced,--mince and
pumpkin pies and buckwheat cakes. It was not easy to reproduce
these things in Paris. The pumpkin pie was a trouble. Madame was
told how to make it by a man who only knew how it looked and
tasted, and who neglected to mention the crust; and as Madame had
no knowledge of pies in general, she served the first pumpkin pie
as a soup in a tureen. Just at that time came in a bright young
woman, introduced by one of the _habitués_, who offered to come
next forenoon and show Madame Busque how to make a genuine Yankee
pumpkin pie, which she did; and the pies produced in that little
creamery were famous and were sent out to Americans all over Paris.
Fine carriages, including that of the American minister, to the
amazement of the neighborhood, would call for these pies to take
home.
“Among the _habitués_ was young Whistler, then an art student. He
was bright, original, and amusing, but gave at that time no promise
of any particular ability as an artist. His drawing was careless. I
remember one of his pictures,--a woman seated at the piano, a
little child playing on the floor. The piano was so out of drawing
that it looked as if it were falling over. As students are always
fond of guying each other, one said to Whistler, ‘Hurry and put a
fifth leg under that piano or it will fall and smash the baby.’
Public-domain text, read in full here on John Shaqi.
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