"We Gerards have a particularly happy knack of rubbing each other the
wrong way," he says, rather irritably. "I am sometimes tempted to think
that we are the most unamiable family God ever put breath into."
"People always think that of their own family," answers Essie,
laughing; "they know their own little crookednesses much better than
any one else's."
"Has Miss Craven changed her mind, St. John?" asks Miss Blessington
from the doorway.
St. John starts. "Not that I know of."
He stoops, and lifts her carefully, as a thing most precious; as he
does so, a little foolish trembling passes over her, as a baby-breeze
passes over some still pool's breast, hardly troubling the sky and the
trees that lie far down in the blue mirror. Down the grand staircase he
bears her, and Constance follows to see that there is no loitering by
the way.
The morning-room at Felton (so called because the family always sit
there in the evenings) is very lofty. You have to crane your neck up
to see the stucco stalactites, faintly imitative of Staffa and Iona,
pendant from the ceiling. There are statuettes in plenty standing about
in niches and on pedestals. Venuses and Minervas and Clyties, all with
their hair very elaborately dressed, and not a stitch of clothes on.
There is a great litter of papers and magazines on the round table:
the _Justice of the Peace_, that is Sir Thomas's; the _Field_, that is
St. John's; the _Cornhill_, that is everybody's. Sir Thomas and miladi
are playing backgammon; miladi is compelled to do so every night as a
penance for her sins--four rubbers, and if _he_ wins, as she prays and
endeavours that he may, five.
"Don't take the dice up in such a hurry, miladi," he says, snappishly;
"how the deuce can I see what your throw is?"
"Seizes, Sir Thomas," responds miladi, meekly.
"Seizes! don't believe a word of it! much more like seize ace!"
Miss Blessington, dressed by Elise in Chambéry gauze, and by Nature in
her usual panoply of beautiful stupidity, which she wears sleeping and
waking, at home and abroad, living and dying, is at work at a little
table, a nude Dian, with cold, chaste smile and crinkly hair, on a red
velvet shrine just above her head.
"Do they play every evening?" asks Esther, from the recess where she
has been deposited by St. John, whose eyes she encounters, considering
her attentively over the top of the _Saturday_. Shams, Flunkeyism,
Woman's Rights, Dr. Cumming, the Girl of the Period--they have all been
passing through his eye into his brain, and, mixed with Esther Craven,
make a fine jumble there.
Public-domain text, read in full here on John Shaqi.
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